Top Historic Sights in Länsi-Turunmaa, Finland

Explore the historic highlights of Länsi-Turunmaa

Parainen Church

The greystone church in Parainen was built in the 15th century (probably in 1440-1460) and is dedicated to St. Simon. The western part of the Agricola-chapel is the eldest component of the church, today a museum. On the churchyard is located the chapel of bishop Tengström, Finland's first archbishop (erected in 1819). The interior of the church is covered with several coat of arms. The rarest one is dedicated to pope ...
Founded: 1440-1460 | Location: Länsi-Turunmaa, Finland

Houtskari Church

The wooden Houtskari Church was built in 1703-1704 and designed by E. Nilsson. The bell tower dates back to 1753 and altarpiece was made in 1887. The church, near vicarage (1860) and old cottage are named as National Built Herigate by National Board of Antiques.
Founded: 1703-1704 | Location: Länsi-Turunmaa, Finland

Seili

Seili (Själo in Swedish) is a small island in the Archipelago Sea. The island is known for its church and nature, a research institute and a former hospital. The first hospital on Seili was established in the 1620s. Before that there were two farms on the islands belonging to the Crown and thus available when the authorities looked for a suitable island to which the leper hospital at the outskirts of Turku could be moved ...
Founded: 1620s | Location: Länsi-Turunmaa, Finland

Kuitia

Kuitia is the oldest remaining manor house in Finland. It was built of stone probably in 1480s by noble Joachim Fleming. There has been a manor house in same location from the beginning of the 15th century. Earliest known owner of Kuitia was Maunu Tawast, a bishop of Turku, who donated manor to his brother in 1439.Because Danish soldiers plundered coastal villages in the 15th century, Kuitia was built also for defensive p ...
Founded: 1480 | Location: Länsi-Turunmaa, Finland

Jurmo Chapel

First seaman chapel was built to Jurmo probably in the 12th century and it has been a center of near archipelago people for centuries. According the legend Jurmo residents assisted ships to wreck purposely and robbed their cargo in the 16th century. That’s why Gustav Vasa, the king of Sweden, ordered to destroy the whole island and all inhabitants. All forests were burnt and only couple of local people survived aliv ...
Founded: 1846 | Location: Länsi-Turunmaa, Finland

Nötö Village & Chapel

Because of its central location, the island has been important to the communications and commerce in the region. The settlement of Nötö has been dated to the early 11th century, and the assumption is that vikings stopped by during their travels and possibly even settled on the island.A culturally and historically valuable village consisting of old farms ('hemman') still exists on the island. In the centr ...
Founded: 1757 (the chapel) | Location: Länsi-Turunmaa, Finland

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Quimper Cathedral

From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.

The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.

At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.

The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.

The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.

Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).

The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.

At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».

The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.