Top Historic Sights in Seinäjoki, Finland

Explore the historic highlights of Seinäjoki

Nurmo Church

There was originally a small chapel in Nurmo built in 1727. After couple of decades it became too small for increasing population. The chapter denied the building of new church, but local people started however to construct it illegally in 1777. The building master was Antti Hakola, but he accidentally drowned to Nurmo river in 1778. His son, Kaappo Hakola, continued the construction and the church completed in 1779. The ...
Founded: 1777-1779 | Location: Seinäjoki, Finland

Provincial Museum of Southern Ostrobothnia

The provincial museum is located in the Östermyra ironworks and manor site. The ironworks was founded in 1798 and the manor house was built in 1806. The museum area consists several buildings and the main building is an old stone cowshed. The basic exhibitions present the life of agrarian communities, rural trade and handicraft skills, a countryside pharmacy and a gunpowder museum.
Founded: 1798 | Location: Seinäjoki, Finland

Ylistaro Church

The church of Ylistaro was built between 1847-1852. It is designed by Ernst Lohrmann and the building master was Jaakko Kuorikoski. The Neo-gothic church with 52-meter tower is the third highest in Finland. The altarpiece was painted in 1888 by Adolf von Becker.
Founded: 1847-1852 | Location: Seinäjoki, Finland

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.