Baroque architecture flourished between late 16th and mid-18th century in the heart of Europe. Even today you can admire the dramatic intensity and glory in numerous palaces and churches. Here we picked the finest Baroque gems of Bavaria, Germany.
St. Michael"s Jesuit church in Munich is the largest Renaissance church north of the Alps. The style of the building had an enormous influence on Southern German early Baroque architecture.
The church was built by William V, Duke of Bavaria between 1583 and 1597 as a spiritual center for the Counter Reformation. In order to realise his ambitious plans for the church and the adjoining college, Duke William had 87 houses in the best location pulled down, ignoring the protests of the citizens. The church was erected in two stages. In the first stage (1583-88), the church was built by the mo ...
Nymphenburg Palace is the main summer residence of the former rulers of Bavaria of the House of Wittelsbach. The palace owes its foundation as a summer residence to the birth of the long-awaited heir to the throne, Max Emanuel, who was born in 1662 to the Bavarian Elector Ferdinand Maria and his wife, Henriette Adelaide of Savoy, after some ten years of marriage.
In 1664 construction began to the plans of the north Italian architect Agostino Barelli, who also designed Munich's Theatine Church. Initially, the Nymphenburg was a mighty cubic pavilion, flanked by the court church, several outbuil ...
The sumptuous Würzburg Residence was built and decorated in the 18th century by an international corps of architects, painters, sculptors, and stucco workers under the patronage of two successive Prince-Bishops, Johann Philipp Franz and Friedrich Karl von Schönborn.
The Residence was essentially constructed between 1720 and 1744, decorated on the interior from 1740 to 1770 and landscaped with magnificent gardens from 1765 to 1780. It testifies to the ostentation of the two Prince-Bishops, and as such illustrates the historical situation of one of the most brilliant courts of Europe during t ...
St. Stephen's Cathedral is a baroque church built in 1688. Since 730, there have been many churches built on the site of the current cathedral. The current church, a baroque building around 100 metres long, was built from 1668 to 1693 after a fire in 1662 destroyed its predecessor, of which only the late gothic eastern side remains. The cathedral's overall plan was made by Carlo Lurago, its interior decoration by Giovanni Battista Carlone, and its frescos by Carpoforo Tencalla.
Over time, the Passau Cathedral has acquired the largest organ outside of the United States. It is also the largest ...
St. Johann Nepomuk, better known as the Asam Church was built from 1733 to 1746 by the brothers Egid Quirin Asam and Cosmas Damian Asam as their private church. Due to resistance of the citizens, the brothers were forced to make the church accessible to the public. The church is considered to be one of the most important buildings of the main representatives of the southern German Late Baroque.
The church was built without an order, as a private chapel for the greater glory of God and for the salvation of the builders. This allowed the brothers also to build in line with the ideas of independ ...
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ m ...
Ettal Abbey is a Benedictine monastery in the village of Ettal close to Oberammergau and Garmisch-Partenkirchen. It is one of the largest Benedictine houses and is a major attraction for visitors.
Ettal Abbey was founded in 1330 by Emperor Ludwig the Bavarian in the Graswang valley, in fulfilment of an oath on his return from Italy, on a site of strategic importance on the primary trade route between Italy and Augsburg. The foundation legend is that Ludwig"s horse genuflected three times on the site of the original church building, where a statuette of the Virgin Mary of the Pisano Schoo ...
Weltenburg Abbey is a Benedictine monastery founded by monks of the Hiberno-Scottish mission around 620 AD. It is held to be the oldest monastery in Bavaria. According to tradition, the abbey was founded in 617 by Agilus and Eustace of Luxeuil, both students of Columbanus. Reportedly during the first half of the 8th century, the abbey took on the rules of the Benedictine order and was supported by Tassilo III.
By 932 at the latest, the abbey was under control of the Bishop of Regensburg. Wolfgang of Regensburg had a residence built on the Frauenberg above today's abbey. The abbey church (repl ...
The Margravial Opera House is a Baroque opera house built between 1744 and 1748. It is one of Europe's few surviving theatres of the period and has been extensively restored. In 2012 the opera house was inscribed in the UNESCO World Heritage List.
It was built according to plans designed by the French architect Joseph Saint-Pierre (de) (ca. 1709 – 1754), court builder of the Hohenzollern margrave Frederick of Brandenburg-Bayreuth and his wife Princess Wilhelmine of Prussia. It was inaugurated on the occasion of the marriage of their daughter Elisabeth Fredericka Sophie with Duke Charles Eug ...
Ottobeuren Abbey was one of the self-ruling imperial abbeys of the Holy Roman Empire and, as such, was a virtually independent state. It was originally founded in 764 by Blessed Toto, and dedicated to St. Alexander, the martyr. Of its early history little is known beyond the fact that Toto, its first abbot, died about 815 and that Saint Ulrich was its abbot in 972. In the 11th century its discipline was on the decline, until Abbot Adalhalm (1082-94) introduced the Hirsau Reform. The same abbot began a restortion of the decaying buildings, which was completed along with the addition of a conven ...
The Basilica of the Fourteen Holy Helpers (Basilika Vierzehnheiligen) is a late Baroque-Rococo church, designed by Balthasar Neumann and constructed between 1743 and 1772. It is dedicated to the Fourteen Holy Helpers, a group of saints venerated together in the Catholic Church, especially in Germany at the time of the Black Death.
The Basilica faces the important German river Main in Franconia. It sits on a hillside, and on the hillside opposite is Schloss Banz, a former baroque monastery. Together they are known as the Goldene Pforte or golden portal, an entryway to the historic Franconian c ...
Schloss Weißenstein is palatial residence in Pommersfelden, considered a masterwork of Baroque art. In 1710, Lothar Franz von Schönborn, Prince-Bishop of Bamberg and Archbishop of Mainz, inherited the estate after the local family, the Truchsesse of Pommersfelden had died out. He ordered the construction of a palace as a private summer residence, paid for from his personal wealth. A team or architects including Johann Dientzenhofer, who had previously built the Fulda Cathedral, and Johann Lukas von Hildebrandt, the court architect of the Austrian Emperor Karl VI. The Marstall and pa ...
The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.
In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.
The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.
The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.
The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).
Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.
Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.
The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.
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