The sumptuous Würzburg Residence was built and decorated in the 18th century by an international corps of architects, painters, sculptors, and stucco workers under the patronage of two successive Prince-Bishops, Johann Philipp Franz and Friedrich Karl von Schönborn.
The Residence was essentially constructed between 1720 and 1744, decorated on the interior from 1740 to 1770 and landscaped with magnificent gardens from 1765 to 1780. It testifies to the ostentation of the two Prince-Bishops, and as such illustrates the historical situation of one of the most brilliant courts of Europe during the 18th century. The most renowned architects of the period - the Viennese, Lukas von Hildebrandt, and the Parisians Robert de Cotte and Germain Boffrand - drew up the plans. They were supervised by the official architect of the Prince Bishop, Balthasar Neumann, who was assisted by Maximilian von Welsch, the architect of the Elector of Mainz. Sculptors and stucco-workers came from Italy, Flanders, and Munich. The Venetian painter Giovanni Battista Tiepolo frescoed the staircase and the walls of the Imperial Hall.
As a result of a devastating air raid on March 16, 1945, the residence was almost completely burnt out and only the central building with the Vestibule, Garden Hall, Staircase, White Hall and Imperial Hall survived the inferno, their roofs destroyed. From the attic the fire ate down through wooden ceilings and floors, and all the furnishings and wall panelling which had not been stored elsewhere were devoured by the flames. Much of the furnishing and large sections of the wall panelling of the period rooms had been removed in time and thus escaped destruction. Neumann's stone vaults withstood the collapse of the burning attic. However, because the roofs had gone, further damage was incurred in the ensuing period due to dampness. In the Court Chapel, for example, most of the ceiling frescoes by Rudolph Byss succumbed to the subsequent consequences of the fire, in spite of the intact vault, and had to be laboriously reconstructed.
From 1945 to 1987, the building and its interiors were reconstructed to their current state. The residence gives consummate testimony to the imposing courtly and cultural life of the feudalistic era of the 18th century, but at the same time its varied use today is an example of modern utilisation and preservation as a monument of ahistorical structure.
The Würzburg Residence with its Court Gardens and Residence Square was inscribed in the UNESCO World Heritage List in 1981.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.