Schloss Weißenstein is palatial residence in Pommersfelden, considered a masterwork of Baroque art. In 1710, Lothar Franz von Schönborn, Prince-Bishop of Bamberg and Archbishop of Mainz, inherited the estate after the local family, the Truchsesse of Pommersfelden had died out. He ordered the construction of a palace as a private summer residence, paid for from his personal wealth. A team or architects including Johann Dientzenhofer, who had previously built the Fulda Cathedral, and Johann Lukas von Hildebrandt, the court architect of the Austrian Emperor Karl VI. The Marstall and park were designed by Schönborn's own court architect, Maximilian von Welsch.
The castle was built between 1711 and 1719 from local sandstone materials. The interior art was finished in 1723. After the death of Lothar Franz in 1729, the palace passed to his nephew Friedrich Karl von Schönborn who had the park expanded. A plan by Balthasar Neumann was however, only partially realized. In the early 19th century, the park was transformed from its original Baroque form into an English landscape garden.
During the Seven Years' War the palace was attacked and damaged by Prussian troops. Minor restoration work was done in the late 19th century. More recently, preservation work has been done in 1975 to 2003.
Today Weißenstein remains the property of the Schönborn family. It is considered a Baroque masterwork and the combination of exterior and well-preserved interiors gives it European importance. The palace and its park are open to the public.
The palace contains the largest private Baroque art collection in Germany, containing over 600 pictures. Baroque and Renaissance artists represented include Peter Paul Rubens, Albrecht Dürer, Titian, Rembrandt and Anthony van Dyck.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.