Bronze Age

History of Germany between 2300 BC - 801 BC

The German Bronze Age is usually divided into an Early Bronze Age (from the end of the third/beginning of the second millennium bc to around 1600 bc), a Middle Bronze Age (1600–c.1300 BC), and a Late Bronze Age, also called the Urnfield period (1300–c.800 BC). The most important distinguishing features are the burial customs and grave forms: the Early Bronze Age is characterized by flat graves with bodies buried in the crouched position, the Middle Bronze Age by inhumations beneath mounds, and the Late Bronze Age by the deposition of urns containing cremated remains in burial places known as urnfields.

In Central Europe, the early Bronze Age Unetice culture (1800-1600 BCE) includes numerous smaller groups like the Straubingen, Adlerberg and Hatvan cultures. Some very rich burials, such as the one located at Leubingen (today part of Sömmerda) with grave gifts crafted from gold, point to an increase of social stratification already present in the Unetice culture. All in all, cemeteries of this period are rare and of small size. The Unetice culture is followed by the middle Bronze Age Tumulus culture, which is characterised by inhumation burials in tumuli (barrows).

The late Bronze Age Urnfield culture, is characterized by cremation burials. It includes the Lusatian culture in eastern Germany and Poland (1300-500 BCE) that continues into the Iron Age. The Central European Bronze Age is followed by the Iron Age Hallstatt culture (700-450 BCE).

In Central Europe, the early Bronze Age Unetice culture (1800-1600 BCE) includes numerous smaller groups like the Straubingen, Adlerberg and Hatvan cultures. Some very rich burials, such as the one located at Leubingen (today part of Sömmerda) with grave gifts crafted from gold, point to an increase of social stratification already present in the Unetice culture. All in all, cemeteries of this period are rare and of small size. The Unetice culture is followed by the middle Bronze Age Tumulus culture, which is characterised by inhumation burials in tumuli (barrows).

The late Bronze Age Urnfield culture, is characterized by cremation burials. It includes the Lusatian culture in eastern Germany and Poland (1300-500 BCE) that continues into the Iron Age. The Central European Bronze Age is followed by the Iron Age Hallstatt culture (700-450 BCE).

References: Wikipedia, Oxford Handbooks Online

Popular sites founded between 2300 BC and 801 BC in Germany

Goloring

The Goloring is an ancient earthworks monument located near Koblenz. It was created in the Bronze Age era, which dates back to the Urnfield culture (1200–800 BC). During this time a widespread solar cult is believed to have existed in Central Europe. The Goloring consists of a circular ditch of 175 metres in diameter with an outside embankment extending to 190 metres. Technically this makes the structure a henge mo ...
Founded: 1200-800 BC | Location: Koblenz, Germany

Ipf Hill Fort

The Ipf is a mostly treeless mountain (668 metres)with a prehistoric hill fort on its top. The fort is situated on an isolated hill, with a flattened summit surrounded by a stone wall, ditch and large counterscarp (outer bank). The overall diameter is about 180 metres. There are also extensive ramparts traversing the slopes to protect a large enclosed area and entranceway. There is evidence of occupation from the Bronze A ...
Founded: 1200-300 BC | Location: Bopfingen, Germany

Degernau Menhir or Bühlhölzle Menhir

Found in 1954 and re-erected in 1971
Founded: Bronze Age | Location: Degernau, Germany

Degernau Dolmen

Reconstructed Schwörstadt-type dolmen
Founded: Bronze Age | Location: Degernau, Germany

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King's Garden, the Island Garden, Parterre Garden and the Prince's Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.