Iron Age

History of Germany between 800 BC - 251 BC

In Europe, the Iron Age may be defined as including the last stages of the prehistoric period and the first of the proto-historic periods. The Iron Age in Europe is characterized by an elaboration of designs in weapons, implements, and utensils. These are no longer cast but hammered into shape, and decoration is elaborate curvilinear rather than simple rectilinear; the forms and character of the ornamentation of the northern European weapons resembles in some respects Roman arms, while in other respects they are peculiar and evidently representative of northern art. The dead were buried in an extended position, whereas in the preceding Bronze Age cremation had been the rule.

In Central Europe, the Iron Age is generally divided in the early Iron Age Hallstatt culture (800–450 BC) and the late Iron Age La Tène culture (beginning in 450 BC). The transition from bronze to iron in Central Europe is exemplified in the great cemetery, discovered in 1846, of Hallstatt, near Gmunden, where the forms of the implements and weapons of the later part of the Bronze Age are imitated in iron. In the Swiss or La Tène group of implements and weapons, the forms are new and the transition complete.

The Celtic culture, or rather Proto-Celtic groups, had expanded to much of Central Europe (Gauls), and, following the Gallic invasion of the Balkans in 279 BC, as far east as central Anatolia (Galatians). In Central Europe, the prehistoric Iron Age ends with the Roman conquest.

From the Hallstatt culture, the Iron Age spreads westwards with the Celtic expansion from the 6th century BC. In Poland, the Iron Age reaches the late Lusatian culture in about the 6th century, followed in some areas by the Pomeranian culture.

The ethnic ascription of many Iron Age cultures has been bitterly contested, as the roots of Germanic, Baltic and Slavic peoples were sought in this area.

Popular sites founded between 800 BC and 251 BC in Germany

Celtic Museum Heuneburg

The Celtic Museum Heuneburg features the original finds discovered throughout the many years of excavation at the Heuneburg. The exhibits underline the active trading contacts with other cultures: Greek imports, amber from the Baltic Sea, jewellery from Slovenia, transport amphoras from Marseilles. From 1983 the former tithe barn in Hundersingen has been used as the Heuneburg Museum. This museum was operated until 2000 b ...
Founded: 700 BC | Location: Hundersingen, Germany

Heidenmauer

The Heidenmauer ('heathen wall') is a circular rampart or ringwork, two and a half kilometres long, which was built by the Celts around 500 BC. The wooden elements of the wall have disappeared over the course of time by rotting away, but the stones have survived. Copious numbers of pottery finds have enabled a very precise dating. Almost all the containers are hand-made, only a few show traces of having been tur ...
Founded: 500 BC | Location: Bad D├╝rkheim, Germany

Otzenhausen Celtic Hillfort

The Celtic hillfort of Otzenhausen is one of the biggest fortifications the Celts ever constructed. It was built by Gauls of the Treveri tribe, who lived in the region north of the fort. The first fortification was constructed in the 5th or 4th century BC, but the real heyday of construction dates to the 2nd and 1st century BC. For reasons yet unknown, the fort was abandoned shortly after this expansion. The site is form ...
Founded: 400 BC | Location: Otzenhausen, Germany

Magdalenenberg

Magdalenenberg is considered the largest tumulus from the Hallstatt period (Iron Age) in Central Europe with a volume of 33.000 cubic meters. The central tomb, where an early Celtic Prince was buried, has been dendrochronologically dated to 616 BC. The mound, which is still distinctly silhouetted against the landscape, once possessed a height of 10–12 m (now about 8 m) and a diameter of 104 meters. Little is known a ...
Founded: c. 616 BC | Location: Villingen-Schwenningen, Germany

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Fortrose Cathedral Ruins

Fortrose Cathedral was the episcopal seat of the medieval Scottish diocese of Ross. It is probable that the original site of the diocese was at Rosemarkie (as early as AD 700), but by the 13th century the canons had relocated a short distance to the south-west to the site known as Fortrose or Chanonry. The first recorded bishop, from around 1130, was Macbeth. According to Gervase of Canterbury, in the early 13th century the cathedral of Ross was manned by Céli Dé.

The oldest part of the present ruin is north choir range of the late 1300s. This range is now free-standing but was once attached to the choir. The only other part still standing is south aisle and chapel, built in the late 1300s.

The cathedral ceased to function as such at the Protestant Reformation in 1560. The story goes that most of the stonework went to build Cromwell’s citadel in Inverness in the early 1650s.

Only the ground plan survives of the cathedral itself. All that remains above ground are two separate structures that once projected out from it. The older of the two is the two-storey building that projected from the north side of the choir. This housed the sacristy and chapter house at ground level, and perhaps a treasury and library on the more secure upper floor. Though never a wealthy diocese, the chapter comprised 21 senior clergy, called canons.

After the Reformation, the building was retained and fitted out as the burgh’s tollbooth (town hall and prison). The upper floor was adapted as the council chamber and court house, and the lower floor as a prison.

This elegant structure was added to the south wall of the nave in the late 1300s by Countess Euphemia of Ross (d. 1395). It was doubtless intended as a chantry chapel, where prayers were said for the countess’s soul. Her fine canopied tomb, with little left of its effigy, is built into the east arch of the chapel. Two other monumental tombs are of Bishop Fraser (d. 1507) and Bishop Cairncross (d. 1545).

The quality of the structure’s masonry is outstanding. It is evident in the fine stone vaulting and in what remains of the elaborate window tracery. You can also see this quality in the internal fixtures such as the piscina in the chapel, where the vessels used at Mass were ritually cleansed.

As with the north choir aisle, alterations were made after the Reformation. The most obvious of these was the addition of a clock turret above the stair tower.