History of Germany between 800 BC - 251 BC
In Europe, the Iron Age may be defined as including the last stages of the prehistoric period and the first of the proto-historic periods. The Iron Age in Europe is characterized by an elaboration of designs in weapons, implements, and utensils. These are no longer cast but hammered into shape, and decoration is elaborate curvilinear rather than simple rectilinear; the forms and character of the ornamentation of the northern European weapons resembles in some respects Roman arms, while in other respects they are peculiar and evidently representative of northern art. The dead were buried in an extended position, whereas in the preceding Bronze Age cremation had been the rule.
In Central Europe, the Iron Age is generally divided in the early Iron Age Hallstatt culture (800–450 BC) and the late Iron Age La Tène culture (beginning in 450 BC). The transition from bronze to iron in Central Europe is exemplified in the great cemetery, discovered in 1846, of Hallstatt, near Gmunden, where the forms of the implements and weapons of the later part of the Bronze Age are imitated in iron. In the Swiss or La Tène group of implements and weapons, the forms are new and the transition complete.
The Celtic culture, or rather Proto-Celtic groups, had expanded to much of Central Europe (Gauls), and, following the Gallic invasion of the Balkans in 279 BC, as far east as central Anatolia (Galatians). In Central Europe, the prehistoric Iron Age ends with the Roman conquest.
From the Hallstatt culture, the Iron Age spreads westwards with the Celtic expansion from the 6th century BC. In Poland, the Iron Age reaches the late Lusatian culture in about the 6th century, followed in some areas by the Pomeranian culture.
The ethnic ascription of many Iron Age cultures has been bitterly contested, as the roots of Germanic, Baltic and Slavic peoples were sought in this area.
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.