History of Sweden between 1700 BC - 501 BC
Sweden's southern third was part of the stock-keeping and agricultural Nordic Bronze Age Culture's area, most of it being peripheral to the culture's Danish centre. The period began in c. 1700 BC with the start of bronze importation; first from Ireland and then increasingly from central Europe. Copper mining was never tried locally during this period, and Scandinavia has no tin deposits, so all metal had to be imported though it was largely cast into local designs on arrival. Iron production began locally toward the period's end, apparently as a kind of trade secret among bronze casters: iron was almost exclusively used for tools to make bronze objects.
The Nordic Bronze Age was entirely pre-urban, with people living in hamlets and on farmsteads with single-story wooden long-houses. Geological and topographical conditions were similar to those of today, but the climate was milder.
Rich individual burials attest to increased social stratification in the Early Bronze Age. A correlation between the amount of bronze in burials and the health status of the deceased's bones shows that status was inherited. Battle-worn weapons show that the period was warlike. The elite most likely built its position on control of trade. The period's abundant rock carvings largely portray long rowing ships: these images appear to allude both to trade voyages and to mythological concepts. Areas with rich bronze finds and areas with rich rock art occur separately, suggesting that the latter may represent an affordable alternative to the former.
Bronze Age religion as depicted in rock art centres upon the sun, fertility and public ritual. Wetland sacrifices played an important role. The later part of the period after about 1100 BC shows many changes: cremation replaced inhumation in burials, burial investment declined sharply and jewellery replaced weaponry as the main type of sacrificial goods.
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.