History of Sweden between 1700 BC - 501 BC
Sweden's southern third was part of the stock-keeping and agricultural Nordic Bronze Age Culture's area, most of it being peripheral to the culture's Danish centre. The period began in c. 1700 BC with the start of bronze importation; first from Ireland and then increasingly from central Europe. Copper mining was never tried locally during this period, and Scandinavia has no tin deposits, so all metal had to be imported though it was largely cast into local designs on arrival. Iron production began locally toward the period's end, apparently as a kind of trade secret among bronze casters: iron was almost exclusively used for tools to make bronze objects.
The Nordic Bronze Age was entirely pre-urban, with people living in hamlets and on farmsteads with single-story wooden long-houses. Geological and topographical conditions were similar to those of today, but the climate was milder.
Rich individual burials attest to increased social stratification in the Early Bronze Age. A correlation between the amount of bronze in burials and the health status of the deceased's bones shows that status was inherited. Battle-worn weapons show that the period was warlike. The elite most likely built its position on control of trade. The period's abundant rock carvings largely portray long rowing ships: these images appear to allude both to trade voyages and to mythological concepts. Areas with rich bronze finds and areas with rich rock art occur separately, suggesting that the latter may represent an affordable alternative to the former.
Bronze Age religion as depicted in rock art centres upon the sun, fertility and public ritual. Wetland sacrifices played an important role. The later part of the period after about 1100 BC shows many changes: cremation replaced inhumation in burials, burial investment declined sharply and jewellery replaced weaponry as the main type of sacrificial goods.
The Church of Saint Demetrius, or Hagios Demetrios, is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki. It is part of the site Palaeochristian and Byzantine Monuments of Thessaloniki on the list of World Heritage Sites by UNESCO since 1988.
The first church on the spot was constructed in the early 4th century AD, replacing a Roman bath. A century later, a prefect named Leontios replaced the small oratory with a larger, three-aisled basilica. Repeatedly gutted by fires, the church eventually was reconstructed as a five-aisled basilica in 629–634. This was the surviving form of the church much as it is today. The most important shrine in the city, it was probably larger than the local cathedral. The historic location of the latter is now unknown.
The church had an unusual shrine called the ciborium, a hexagonal, roofed structure at one side of the nave. It was made of or covered with silver. The structure had doors and inside was a couch or bed. Unusually, it did not hold any physical relics of the saint. The ciborium seems to have been a symbolic tomb. It was rebuilt at least once.
The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. These mosaics depict St. Demetrius with officials responsible for the restoration of the church (called the founders, ktetors) and with children. An inscription below one of the images glorifies heaven for saving the people of Thessalonica from a pagan Slavic raid in 615.
Thessaloniki became part of the Ottoman Empire in 1430. About 60 years later, during the reign of Bayezid II, the church was converted into a mosque, known as the Kasımiye Camii after the local Ottoman mayor, Cezeri Kasım Pasha. The symbolic tomb however was kept open for Christian veneration. Other magnificent mosaics, recorded as covering the church interior, were lost either during the four centuries when it functioned as a mosque (1493–1912) or in the Great Thessaloniki Fire of 1917 that destroyed much of the city. It also destroyed the roof and upper walls of the church. Black-and-white photographs and good watercolour versions give an idea of the early Byzantine craftsmanship lost during the fire.
Following the Great Fire of 1917, it took decades to restore the church. Tombstones from the city"s Jewish cemetery - destroyed by the Greek and Nazi German authorities - were used as building materials in these restoration efforts in the 1940s. Archeological excavations conducted in the 1930s and 1940s revealed interesting artifacts that may be seen in a museum situated inside the church"s crypt. The excavations also uncovered the ruins of a Roman bath, where St. Demetrius was said to have been held prisoner and executed. A Roman well was also discovered. Scholars believe this is where soldiers dropped the body of St. Demetrius after his execution. After restoration, the church was reconsecrated in 1949.