Bronze Age

History of Sweden between 1700 BC - 501 BC

Sweden's southern third was part of the stock-keeping and agricultural Nordic Bronze Age Culture's area, most of it being peripheral to the culture's Danish centre. The period began in c. 1700 BC with the start of bronze importation; first from Ireland and then increasingly from central Europe. Copper mining was never tried locally during this period, and Scandinavia has no tin deposits, so all metal had to be imported though it was largely cast into local designs on arrival. Iron production began locally toward the period's end, apparently as a kind of trade secret among bronze casters: iron was almost exclusively used for tools to make bronze objects.

The Nordic Bronze Age was entirely pre-urban, with people living in hamlets and on farmsteads with single-story wooden long-houses. Geological and topographical conditions were similar to those of today, but the climate was milder.

Rich individual burials attest to increased social stratification in the Early Bronze Age. A correlation between the amount of bronze in burials and the health status of the deceased's bones shows that status was inherited. Battle-worn weapons show that the period was warlike. The elite most likely built its position on control of trade. The period's abundant rock carvings largely portray long rowing ships: these images appear to allude both to trade voyages and to mythological concepts. Areas with rich bronze finds and areas with rich rock art occur separately, suggesting that the latter may represent an affordable alternative to the former.

Bronze Age religion as depicted in rock art centres upon the sun, fertility and public ritual. Wetland sacrifices played an important role. The later part of the period after about 1100 BC shows many changes: cremation replaced inhumation in burials, burial investment declined sharply and jewellery replaced weaponry as the main type of sacrificial goods.

References: Wikipedia

Popular sites founded between 1700 BC and 501 BC in Sweden

Backa Rock Carvings

Backa rock carvings date back to the Bronze Age (1000-500 BC). There are sixteen separate carvings depicting humans and ships. The most famous carving depicts a 1,5m long man with a spear.
Founded: 1000 - 500 BC | Location: Lysekil, Sweden

Anundshög

Anundshög is the largest tumulus in Sweden. It has a diameter of 60 metres and is about 9 metres high. Assessments of the era of the mound vary between the Bronze Age and the late Iron Age. A fireplace under it has been dated by radiocarbon dating to sometime between AD 210 and 540. Some historians have associated the mound with the legendary King Anund, while others regard this as speculative. It is purported also ...
Founded: 1500 BC - 1000 AD | Location: Västerås, Sweden

King's Grave

The King's Grave (Kungagraven i Kivik, Kiviksgraven) is what remains of an unusually grand Nordic Bronze Age double burial c. 1000 BC. In spite of the facts that the site has been used as a quarry, with its stones carried off for other uses, and that it was restored carelessly once it was known to be an ancient burial, these two burials are unique. In both construction and in size — it is a circular site measuring 75 m ...
Founded: c. 1000 BC | Location: Kivik, Sweden

Jättakullen

Jättakullen is the largest cist (stone-built coffin-like box or ossuary used to hold the bodies of the dead) in Sweden. The 14x4 meter grave is dated to the Bronze Age, around 1500 BC. There are some carvings inside the cist.
Founded: 1500 BC | Location: Vårgårda, Sweden

Rickeby Rock Carvings

Rickeby is known of its Bronze Age rock carvings. The area contains about 50 carvings displaying for example humans and animals.
Founded: 1700-500 BC | Location: Enköping, Sweden

Lugnarohögen

Lugnarohögen is a burial mound dating from the late Bronze Ages. The excavation made in 1926-1927 revealed a 8 meter long stone ship in the cairn. Archaeologists also found bones and three small bronze items made in 700-500 BC.
Founded: 700-500 BC | Location: Laholm, Sweden

Stenehed Grave Field

Stenehed is an Iron Age grave field containing about 45 graves, a stone circle, a stone ship, and a row of menhirs. Originally, there were eleven or twelve menhirs at the site; today, there are nine. The tallest one is 3,3m high. They are placed in a row, according to their heights. In 1980, astronomer Curt Roslund suggested that they form an astronomical calendar, similar to Stonehenge in England.
Founded: 600-400 BC | Location: Hällevadsholm, Sweden

Tjelvar's Grave

Tjelvar’s Grave is one of the best preserved stone ship settings in Gotland. According the legend Tjelvar, the first man lived in Gotland, is buried there. Archaeologists have dated the grave to made in the late Bronze Ages, 1100-500 BC. Tjelvar’s grave is 18 metres long and 5 metres wide. The height of the gunwale stones diminishes towards the centre of the ship, which has also been filled with stones ...
Founded: 1100-500 BC | Location: Slite, Sweden

Getterön Burial Ground

There are five big tumuli (burial mounds) in Getterön. The graves date probably from the Bronze Age (1500 - 500 BC).
Founded: 1500 - 500 BC | Location: Varberg, Sweden

Gnisvärd Ship Settings

Therea are three ancient ship-formed graves in Gnisvärd. All of them are set in line, as if out sailing together. The largest one is 45 metres long and 7 metres wide. That makes it the biggest ship setting on Gotland. Graves were made in the Bronze Ages, 1700-500 BC.
Founded: 1700-500 BC | Location: Gnisvärd, Sweden

Hagbard's Gallow

Hagbard's Gallow consists of two pair of menhirs, large upright standing stones. The monument was probably constructed during the bronze age. The stone has engravings, some discovered in the 18th Century and some in modern times. The name is related to the legend of Hagbard and Signy, as well as several other nearby remains.
Founded: 1700-500 BC | Location: Falkenberg, Sweden

Gannarve Ship Grave

The Gannarve grave is outlined by large standing stones, forming the shape of a ship. It has been built at the end of the Bronze Age, about 1100 – 500 B.C. The grave is 29 metres long and 5 metres wide. It is only one of about 350 boat-shaped graves on the island. In most cases, only one burial has been uncovered in each grave. When these people were buried, it was a custom to cremate the dead on a pyre. After crema ...
Founded: 1100-500 BC | Location: Gotland, Sweden

Möckleryd Rock Carvings

There are 140 rock carvings in Möckleryd and it is the largest rock art site in Blekinge dating probably from the Bronze Age. There are mainly boats, horses, people and elks described in carvings.
Founded: 1700-550 BC | Location: Torhamn, Sweden

Gålrum Burial Ground

Gålrum is an ancient burial ground including 122 ancient monuments. There are 5 large stone cairns, 110 round stone settings and 8 ship settings. The site was in use for 1500 years and reflects the differing burial styles over that long period of time with the earliest dating back to the Bronze Age around 1500 BC. The cairns vary in size from 10 metres to 25 metres in diameter and mostly have perimeter stones aroun ...
Founded: 1500 BC - 100 AD | Location: Gålrum, Sweden

Gettlinge Stone Ship Burial Ground

Gettlinge is a village in the southwest portion of the island of Öland It is known for its impressive Viking stone ship burial ground. Gettlinge is situated on the western fringe of the Stora Alvaret, a World Heritage Site designated by UNESCO. The principal evidence of life in the Gettlinge area from 1000 BC to 1000 AD is derived from the gravefields themselves. The Gettlinge burial ground is situated near the coas ...
Founded: 1000 BC-1000 AD | Location: Morbylånga, Sweden

Uggårda Cairns

Uggårda is the largest Bronze Age burial ground in Gotland, founded around 1500-1000 BC. The biggest cairn is 7,5 meters high and 40 meters wide. There are also several smaller cairns on the site.
Founded: 1500-1000 BC | Location: Hemse, Sweden

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King's Garden, the Island Garden, Parterre Garden and the Prince's Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.