The King's Grave (Kungagraven i Kivik, Kiviksgraven) is what remains of an unusually grand Nordic Bronze Age double burial c. 1000 BC. In spite of the facts that the site has been used as a quarry, with its stones carried off for other uses, and that it was restored carelessly once it was known to be an ancient burial, these two burials are unique.
In both construction and in size — it is a circular site measuring 75 metres in diameter — this tomb differs from most European burials from the Bronze Age. Most importantly, the cists are adorned with petroglyphs. The images carved into the stones depict people, animals (including birds and fish), ships, lurs being played, symbols, and a chariot drawn by two horses and having four-spoked wheels.
The site was used as a quarry for construction materials until 1748, when two farmers discovered a 3.25 metre tomb, with a north-south orientation, constructed with ten slabs of stone. They dug it out, hoping to find a treasure in the grave. Soon rumour had it that the two men had found a great treasure in the tomb and the authorities had the men arrested. However, the two men denied having found anything, and as no evidence could be provided against them, they were released. Several years passed before it was discovered that the slabs of stone in the tomb were adorned with petroglyphs, and a long series of speculations had begun. Still, the quarrying continued and some of the stones disappeared.
The site was excavated by archaeologist Gustaf Hallström starting in 1931. Between 1931–1933, a thorough excavation was undertaken and the remains of a Stone Age settlement was found under the massive cairn, including a great deal of flintstone shards. Only teeth, fragments of bronze, and some pieces of bone were found, dating from the Bronze Age.
The mound contained two cists, however. On the left side of the cist's southern end, there were raised slabs of stone from a 1.2 metres long and 0.65 metres wide cist. It has been named the King's Grave due to its size and, long before it was known to contain two burials. Since the site has been subject to numerous lootings, there are no reliable finds, but it is believed that the two graves were built at the same time.
After the excavation, the tomb was restored, but no one knows whether it looks similar to its original state. A comparison with other contemporaneous graves suggests that the site might have been three times higher than the 3.5 metres, as restored. The restoration was based on etchings from the 18th century and conjecture. A new chamber was constructed out of concrete and a tunnel extended into the cists. Today, it is possible for visitors to the site to enter the tomb and to see the engraved stones.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.