History of Finland between 4000 BC - 1501 BC
Around 5300 BCE, - probably - pottery was present in Finland. The earliest samples belong to the Comb Ceramic Cultures, known for their distinctive decorating patterns. This marks the beginning of the neolithic period for Finland, although the subsistence was still based on hunting and fishing. Extensive networks of exchange existed across Finland and Northeastern Europe during the 5th millennium BCE. For example, flint from Scandinavia and Valdai Hills, amber from Scandinavia and the Baltic region and slate from Scandinavia and Lake Onega found their ways into the Finnish archeological sites undes excavatons today and asbestos and soap stone from e.g. the area of Saimaa spread outside of Finland. Rock paintings - apparently related to shamanistic and totemistic belief systems - have been found, especially in Eastern Finland, e.g. Astuvansalmi.
From 3200 BCE onwards, either immigrants or a strong cultural influence from south of the Gulf of Finland settled in Southwestern Finland. This culture was a part of the European Battle Axe cultures, which have often been associated with the movement of the Indo-European speakers. The Battle-Axe - or Cord Ceramic - culture seems to have practiced agriculture and animal husbandry outside of Finland, but the earliest confirmed traces of agriculture in Finland date later, approximately to the 2nd millennium BCE. Further inland, the societies retained their hunting-gathering lifestyles for the time being. The Battle axe and the Comb Ceramic cultures merged, giving rise to the Kiukainen culture which existed between 2300 BCE and 1500 BCE, featuring fundamentally a comb ceramic tradition with cord ceramic characteristics.
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.