Part of the Swedish Empire
History of Latvia between 1621 - 1721
During the Polish–Swedish War (1600–1629) Riga and the largest part of Duchy of Livonia came under Swedish rule in 1621. During the Swedish rule Vidzeme was known as the "Swedish Bread Basket" because it supplied the larger part of the Swedish Kingdom with wheat. The rest of Latvia stayed Polish until the second partition of Poland in 1793, when it became Russian.
In 1632 the Swedish king Gustavus Adolphus founded Dorpat University which became the intellectual focus for population of Livonia. The translation of the whole Bible into Latvian in 1685 by Johann Ernst Glück was subsidized by the Swedish government. Also the schools for Latvian speaking peasantry were set up in the country parishes.
Riga was the second largest city in the Swedish Empire at the time. Together with other Baltic Sea dominions, Livonia served to secure the Swedish Dominium maris baltici. In contrast to Swedish Estonia, which had submitted to Swedish rule voluntarily in 1561 and where traditional local laws remained largely untouched, the uniformity policy was applied in Swedish Livonia under Karl XI of Sweden: serfdom was abolished in the estates owned by the Swedish crown, peasants were offered education and military, administrative or ecclesiastical careers, and nobles had to transfer domains to the king in the Great Reduction. These reforms were subsequently reversed by Peter I of Russia when he conquered Livonia.
Inflanty Voivodeship
After the Polish–Swedish War (1600–1629) only the Southeastern part of the Duchy of Livonia ramained under Polish-Lithuanian rule. The Catholicism became the dominant religion in this territory known as Inflanty or Latgale as a result of Counter-Reformation.
References: Wikipedia
Popular sites founded between 1621 and 1721 in Latvia
Skaistkalne Church
The Roman Catholic Skaistkalne Church (dedicated to Our Lady) was completed in 1692 and 1698. It is one one largest rural churches in Latvia and an early Baroque style masterpiece. It was one of the first Baroque style churches in Latvia. The icon of Our Miraculous Lady – the Protectress of Latvian Families – is found in the side altar of Skaistkalne shrine, people, especially newlyweds and families have pra ...Daugavgriva Castle Ruins
Daugavgrīva Castle was originally a monastery converted as a fortress by Swedish in the 17th century. Today there are no remnants of the medieval castle above the soil. In 1208 there was a Dünaburg castle built by the Teutonic Knights which initially served as a monastery. The Swedish fortress of Dünamünde, designed in a Dutch style by General Rothenburg in 1641, replaced the ruined Daugavgrīva C ...Mentzendorff House
Mentzendorff House, a subunit of the Museum of History and Navigation, with its 17-18th century atmosphere is the only museum of its kind in the Baltics. The exposition is set up in a building of 1695, which up to 1939 was a dwelling-house with a shop and warehouses. A dwelling-house museum renders the everyday life of wealthy Riga residents in the past. The unique ceiling and wall paintings of the 17th-18th centuries ha ...Burtnieki Lutheran Church
The Lutheran church of Burtnieki is located on the Eastern bank of the lake. The first church was built there in 1234. It was a Catholic church, built from wood. It burned down and was replaced by a stone wall church between 1283-1287. It was destroyed in 1654, during the Polish-Russian War. The current church was built in 1688. Near the church is located a minister estate building complex, renovated in 1992. The estate ...St. Anne's Church
The Lutheran church of St. Anne (Anna) is the oldest building in Jelgava. The foundation act was approved in 1567 and the stone church was built during 1638-1641. An oak tree was planted next to the church in 1883, celebrating the 400th birthday of Martin Luther.Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Royal Palace of Aranjuez
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
Real Casa del Labrador
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
King's Garden, the Island Garden, Parterre Garden and the Prince's Garden
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.