Vendel Period

History of Sweden between 540 AD - 789 AD

In Swedish prehistory, the Vendel era (550-793) is the name given to a part of the Germanic Iron Age (or, more generally, the Migration Period). The migrations and the upheaval in Central Europe had lessened somewhat, and two power regions had appeared in Europe: the Merovingian kingdom and the Slavic princedoms in Eastern Europe and the Balkans. A third power, the Catholic Church, had begun to expand its influence. In Scandinavia, the Germanic clan society was still very much alive. In Uppland in what today is the east-central part of Sweden, Old Uppsala was probably the centre of religious and political life. It had both a well-known sacred grove and great Royal Mounds.

There were lively contacts with Central Europe, and the Scandinavians continued to export iron, fur and slaves; in return they acquired art and innovations, such as the stirrup. The finds in Vendel and Valsgärde show that Uppland was an important and powerful area consistent with the sagas' account of a Swedish kingdom. Some of the riches were probably acquired through the control of mining districts and the production of iron. The rulers had troops of mounted elite warriors with costly armour. Graves of mounted warriors have been found with stirrups and saddle ornaments of birds of prey in gilded bronze with encrusted garnets. These mounted elite warriors are mentioned in the work of the 6th century Goth scholar Jordanes, who wrote that the Swedes had the best horses beside the Thuringians. They also echo much later in the Norse sagas, where king Adils is always described as fighting on horseback (both against Áli and Hrólf Kraki). Snorri Sturluson wrote that Adils had the best horses of his days. Games were popular, as is shown in finds of tafl games, including pawns and dice. This is the time when Swedish expeditions start to explore the waterways of what was to become Russia.

References: Wikipedia

Popular sites founded between 540 AD and 789 AD in Sweden

Birka

During the Viking Age, Birka was an important trading center. The archaeological sites of Birka and Hovgården, on the neighbouring island of Adelsö, make up an archaeological complex which illustrates the elaborate trading networks of Viking Scandinavia and their influence on the subsequent history of Europe. Generally regarded as Sweden's oldest town, Birka (along with Hovgården) has been a UNESCO World Heritage Site ...
Founded: ca. 750 AD | Location: Adelsö, Sweden

Uppsa Kulle

Uppsa Kulle is one of the largest Iron Age mounds in Sweden. The 55m wide and 9m high mound is probably a grave of local king or chief(s).
Founded: 600 AD | Location: Nyköping, Sweden

Vätteryd

The Vätteryd grave field, also known as Vätterydshed, dates from the Iron Age. The grave field consists of 183 menhirs, 15 stone ships - the largest 25 m long and 8 m wide - and 2 circles. Many of the stone ships are so damaged that all that remains are parts smaller than half the original size. In the beginning of the 19th century, Vätteryd, with about 600 menhirs, was considered the largest grave field i ...
Founded: 550-900 AD | Location: Tjörnarp, Sweden

Ottarshögen

Ottarshögen is an large burial mound built in the 6th or 7th century AD. According the folk legend, it is a grave of ancient Ottar Vendelkråka, the king of Svealand in the early 6th century. Archaeologists have anyway dated it to the Vendel Period. The mound is 37m wide and 6m high.
Founded: 500-600 AD | Location: Örbyhus, Sweden

Skalundahögen

To the west the Skalunda church there is Skalundahögen, the Barrow of Skalunda which is the largest one in Västergötland and one of the larger barrows in Scandinavia. It measures 65 metres across and it is 7 metres high. Next to the barrow there is a stone circle. This suggests that Skalunda was an important village in the Iron Ages. Skalunda was one of the eight royal estates of early medieval Väster ...
Founded: 700 AD | Location: Skalunda, Sweden

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King's Garden, the Island Garden, Parterre Garden and the Prince's Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.