History of Sweden between 540 AD - 789 AD
In Swedish prehistory, the Vendel era (550-793) is the name given to a part of the Germanic Iron Age (or, more generally, the Migration Period). The migrations and the upheaval in Central Europe had lessened somewhat, and two power regions had appeared in Europe: the Merovingian kingdom and the Slavic princedoms in Eastern Europe and the Balkans. A third power, the Catholic Church, had begun to expand its influence. In Scandinavia, the Germanic clan society was still very much alive. In Uppland in what today is the east-central part of Sweden, Old Uppsala was probably the centre of religious and political life. It had both a well-known sacred grove and great Royal Mounds.
There were lively contacts with Central Europe, and the Scandinavians continued to export iron, fur and slaves; in return they acquired art and innovations, such as the stirrup. The finds in Vendel and Valsgärde show that Uppland was an important and powerful area consistent with the sagas' account of a Swedish kingdom. Some of the riches were probably acquired through the control of mining districts and the production of iron. The rulers had troops of mounted elite warriors with costly armour. Graves of mounted warriors have been found with stirrups and saddle ornaments of birds of prey in gilded bronze with encrusted garnets. These mounted elite warriors are mentioned in the work of the 6th century Goth scholar Jordanes, who wrote that the Swedes had the best horses beside the Thuringians. They also echo much later in the Norse sagas, where king Adils is always described as fighting on horseback (both against Áli and Hrólf Kraki). Snorri Sturluson wrote that Adils had the best horses of his days. Games were popular, as is shown in finds of tafl games, including pawns and dice. This is the time when Swedish expeditions start to explore the waterways of what was to become Russia.
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.