History of Sweden between 540 AD - 789 AD
In Swedish prehistory, the Vendel era (550-793) is the name given to a part of the Germanic Iron Age (or, more generally, the Migration Period). The migrations and the upheaval in Central Europe had lessened somewhat, and two power regions had appeared in Europe: the Merovingian kingdom and the Slavic princedoms in Eastern Europe and the Balkans. A third power, the Catholic Church, had begun to expand its influence. In Scandinavia, the Germanic clan society was still very much alive. In Uppland in what today is the east-central part of Sweden, Old Uppsala was probably the centre of religious and political life. It had both a well-known sacred grove and great Royal Mounds.
There were lively contacts with Central Europe, and the Scandinavians continued to export iron, fur and slaves; in return they acquired art and innovations, such as the stirrup. The finds in Vendel and Valsgärde show that Uppland was an important and powerful area consistent with the sagas' account of a Swedish kingdom. Some of the riches were probably acquired through the control of mining districts and the production of iron. The rulers had troops of mounted elite warriors with costly armour. Graves of mounted warriors have been found with stirrups and saddle ornaments of birds of prey in gilded bronze with encrusted garnets. These mounted elite warriors are mentioned in the work of the 6th century Goth scholar Jordanes, who wrote that the Swedes had the best horses beside the Thuringians. They also echo much later in the Norse sagas, where king Adils is always described as fighting on horseback (both against Áli and Hrólf Kraki). Snorri Sturluson wrote that Adils had the best horses of his days. Games were popular, as is shown in finds of tafl games, including pawns and dice. This is the time when Swedish expeditions start to explore the waterways of what was to become Russia.
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.