The Vätteryd grave field, also known as Vätterydshed, dates from the Iron Age. The grave field consists of 183 menhirs, 15 stone ships - the largest 25 m long and 8 m wide - and 2 circles. Many of the stone ships are so damaged that all that remains are parts smaller than half the original size.
In the beginning of the 19th century, Vätteryd, with about 600 menhirs, was considered the largest grave field in Scandinavia. The research conducted between 1955 and 1957 made clear that the site had been a place of cremation burials. The grave goods found - such as bronze jewelry, glass and bronze pearls, and bronze wire - were taken to various museums in Stockholm.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.