Monasteries in Lithuania
Pazaislis Monastery
Pažaislis monastery and church form the largest monastery complex in Lithuania, and the most magnificent example of Italian Baroque architecture in the country. Founded in 1662 by the Grand Duchy of Lithania Great Chancellor Krzysztof Zygmunt Pac for the Order of the Camaldolese Hermits, the main construction continued until 1674 and resumed in 1712. The church was designed by Pietro Puttini, Carlo and Pietro Puttini, an ...Kretinga Monastery
In 1602 Jan Karol Chodkiewicz built the first wooden church in Kretinga and established a Benedictine monastery, which became a great success. After about ten years a new brick church with an impressive organ was built. In 1610 a church school was opened. In 1621 the Sapieha family gained control of the city; they changed its coat of arms to represent Saint Casimir. In 1659 and 1710 the church and monastery were destroyed ...Tytuvenai Monastery
Tytuvėnai’s Church of Our Lady of the Angels and Bernardine monastery complex are among Lithuania’s largest and most significant specimens of 17th and 18th century sacred architecture, reflecting as they do a multi-layered harmony of the gothic, mannerist and baroque styles. The ensemble consists of a church, a courtyard with the Holy Steps Chapel, and the stone wall of a two-story monastery. The main alt ...Featured Historic Landmarks, Sites & Buildings
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Monastery of São Vicente de Fora
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.