Close by the Jadro, to the east of Salona, there are remains of churches on the site known for centuries by the local people by the true, descriptive name of Šuplja crkva (Hollow Church). The name originates from the time when here there were walls of an unattended church with a collapsed roof, recorded on the Camuci’s map of 1571. Remains of a three-aisled basilica, dedicated to Ss. Peter and Moses appear to have existed at the end of the 17th and the beginning of the 18th centuries, when the newly arrived inhabitants of Solin named them so picturesquely. The church is from the 11th century, linked with the coronation of Zvonimir as a Croatian king in 1075, built within a large early-Christian basilica, probably from the 6th century. Next to the church, there was a Benedictine monastery, possibly connected with the dynasty, which is a possible reason why the new church was built within the old one, to become the site of such an important event. This fact has made this early-Romanesque three-aisled basilica particularly famous.
Today, the landscape differs very much from the landscape of the early-Christian time and the 11th century. The river flowed down a completely different bed, and the surrounding terrain was lower. The river nowadays flows close to the site, flooding the old walls remains that, due to the new configuration of the surrounding land, often remain under water. This is an excellent and very clear example of how the small Jadro has gradually changed the configuration of the landscape of the Solin’s monuments.
The three-aisled basilica had a specific western façade, the so-called westwerk, and a bell tower, and three apses incorporated right into the church body at its eastern end. In the church, there was a large, three-part altar screen, bearing the inscription that revealed its titulars, Ss. Peter and Moses (sv. Petar i Mojsije), and, with help from written historic sources, the course of important historic events, as well. Some scientists believe that parts of the altar screen were also the slabs that now make the baptismal font in the St. John’s Baptistery of Split, including the famous slab usually interpreted as presenting an enthroned Croatian king.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.