Close by the Jadro, to the east of Salona, there are remains of churches on the site known for centuries by the local people by the true, descriptive name of Šuplja crkva (Hollow Church). The name originates from the time when here there were walls of an unattended church with a collapsed roof, recorded on the Camuci’s map of 1571. Remains of a three-aisled basilica, dedicated to Ss. Peter and Moses appear to have existed at the end of the 17th and the beginning of the 18th centuries, when the newly arrived inhabitants of Solin named them so picturesquely. The church is from the 11th century, linked with the coronation of Zvonimir as a Croatian king in 1075, built within a large early-Christian basilica, probably from the 6th century. Next to the church, there was a Benedictine monastery, possibly connected with the dynasty, which is a possible reason why the new church was built within the old one, to become the site of such an important event. This fact has made this early-Romanesque three-aisled basilica particularly famous.
Today, the landscape differs very much from the landscape of the early-Christian time and the 11th century. The river flowed down a completely different bed, and the surrounding terrain was lower. The river nowadays flows close to the site, flooding the old walls remains that, due to the new configuration of the surrounding land, often remain under water. This is an excellent and very clear example of how the small Jadro has gradually changed the configuration of the landscape of the Solin’s monuments.
The three-aisled basilica had a specific western façade, the so-called westwerk, and a bell tower, and three apses incorporated right into the church body at its eastern end. In the church, there was a large, three-part altar screen, bearing the inscription that revealed its titulars, Ss. Peter and Moses (sv. Petar i Mojsije), and, with help from written historic sources, the course of important historic events, as well. Some scientists believe that parts of the altar screen were also the slabs that now make the baptismal font in the St. John’s Baptistery of Split, including the famous slab usually interpreted as presenting an enthroned Croatian king.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.