The significance of Vrana to the medieval Croatian history was closely connected with three religious communities: the Benedictines, the Knights Templar, and the Knights Hospitaller. The arrival of these three orders in Vrana and their cultural and political influence was conditioned by the medieval circumstances in Croatia and by the Roman Pope. Vrana had become one of the most important centers of political life, especially in the period from 1070.
After the pope's deputies crowned him as the king of Croatia, King Zvonimir Dmitar in 1076 donated the city of Vrana and Benedictine monastery of St. Gregory, as a sign of loyalty to Pope Gregory VII. Vrana was the first permanent diplomatic headquarters of the pope's deputies in the entire Slavic region. Insignia of Croatian Kingdom were held within Vrana's walls for a long time. Consequently, Coloman of Hungary in 1102 came to the coronation in Biograd, as the nearest royal residence.
In the 12th century, the church Priory of Vrana donated this property to Knights Templar. At that time, Vrana was fortified with walls and towers and a moat. There are assumptions that the present ruins of a fortified facility above the village were part of a fortified town with a church. After Knights Templars, Vrana was the property of the Knights Hospitallers from 1312.
The Ottoman Empire conquered Vrana in 1527, and it remained under their control for a century, before the Republic of Venice took it in the Candian War briefly in 1647 and Morean War finally. In October 1683, the population of Venetian Dalmatia, principally Uskoks of Ravni kotari, took arms and together with the rayah (lower class) of the Ottoman frontier regions rose up, taking Skradin, Karin, Vrana, Benkovac and Obrovac.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.