The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism. It has three radially situated apses and an ambulatory around the central area, surmounted by circular gallery. The circular shape is typical of the early medieval age in Dalmatia. It was built on the Roman forum, and materials from buildings in the latter were used in its construction. Among the fragments which are built into the foundations it is still possible to distinguish the remains of a sacrificial altar on which is written IVNONI AVGUSTE IIOVI AVGUSTO.
The use of the church has varied during its lifetime; during the rule of the Republic of Venice it was a warehouse, as well as during the French occupation and under the Austrians. After the city was annexed to Yugoslavia, it served as an archaeological museum for a short period of time. The building is currently used as the concert venue for the annual International Festival of Medieval Renaissance Music due to the building's interiors and acoustics.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.