The Cathedral of Cefalù is one of nine structures included in the UNESCO World Heritage Site known as Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale.
The cathedral was erected between 1131 and 1240 in the Norman architectural style, the island of Sicily having been conquered by the Normans in 1091. According to tradition, the building was erected after a vow made to the Holy Saviour by the King of Sicily, Roger II, after he escaped from a storm to land on the city's beach. The building has a fortress-like character and, seen from a distance, it dominates the skyline of the surrounding medieval town. It made a powerful statement of the Norman presence.
The façade is characterized by two large Norman towers with mullioned windows, each surmounted by a small spire added in the 15th century. Each spire is different: one has a square plan surrounded by flame-shaped merlons, the latter symbolizing the Papal authority and the mitre and the other has an octagonal plan and Ghibelline merlons, symbolizing the royal and temporal power.
Inside the cathedral the dominant figure of the decorative scheme is the bust of Christ Pantokrator, portrayed on the semi-dome of the apse with a hand raised in Benediction.
The basilica houses several funerary monuments, including a late Antique sarcophagus, a medieval one, and the notable sepulchre of the Bishop Castelli of the 18th century.
Excavations in the cathedral area have brought to light parts of a 6th-century polychrome mosaic. They depict a dove drinking, parts of two other birds, two small trees, and a lily-shaped flower, enclosed in a frame with ogival and lozenge motifs. This mosaic belonged probably to a pre-existing Byzantine basilica.Â
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.