The Granfonte is a monumental public fountain built in Renaissance-Baroque style, located in Leonforte. The elongated fountain extends for 24 meters, consists of 24 bronze spouts where he still gushing fresh spring water.
This structure completed in 1651 by Prince Nicolò Placido Branciforti, founder of the town of Leonforte. It was sited at the usual meeting-place for the town, and with its twenty-four spouts, provided ample and easy access. The work refers to various embodiments of the Flemish artists, at the time very widespread in Sicily, and is attributable to style and morphology to the Mariano Smiriglio architect’s artistic school from Palermo.
It is said that the Prince wanted to build it on the ruins of an old Moorish fountain, with a design similar to that of an existing fountain at that time in Amsterdam.
This monumental fountain was built with bearing walls of sandstone blocks from square cut and worked with sculptures in the round, low and high relief, engravings and decorations; twenty-four bronze spouts sorted pour water in the rectangular tank.
In the facade are visible twenty-two niches bottomless rectangular with round arches; central tower and two side with frames, ornaments and inscriptions, connected by spirals stone; two lions rampant on the side towers.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.