Inverugie Castle or Cheyne's Tower is the ruins of a motte-and-bailey castle in Aberdeenshire. The ruins are a small mound only three metres high above the River Ugie. This is all that remains of a wooden motte-and-bailey castle of Inverugie built by the Cheynne family in the 12th century. The stone ruins date from later than the original building on the site.
The location of the motte relative to the river at Inverugie suggests it was built to protect the ford at this point and that the bailey ditch (moat) would have been filled with water from the Ugie for additional defence.
In the basement of the oblong tower house there was the storage area and kitchen. The next level contained the hall used for entertaining guests. In the north and south corners of the hall were small turnpike stairs accessing both round towers. On the middle of the west side was a third tower with the main staircase. This faced into the cobbled courtyard with its wall beside the river Ugie.
A defensive structure was first built at Inverugie by the Cheyne (Le Chen) family in the 12th century. In 1345, at the death of Reginald le Chen, Baron Inverugie, the estate of Inverugie had passed to the Keith Earl Marischals, who had their main seat at the coastal fortress of Dunnottar Castle (via marriage of Edward Keith and the heiress Marjory, daughter of Reginald le Chen and Helen de Strathearn). Around 1660 the Keiths built what is the current, but now ruined, castle, lying south of the original wooden motte.
The Keith lands were forfeited after the Jacobite Rebellion and some time after 1745 the Inverugie estate passed from the Keiths to one James Ferguson the third Laird of Pitfour who kept the building in a perfect state until he died in 1820. However, the fifth Laird stripped the Castle of all the restoration undertaken and his successor exacerbated the neglect even further.
By 1890, the Castle was in poor condition and was unable to withstand inclement weather. Gales in April 1890 resulted in the collapse of some walls and the stair tower. It was declared unsafe by the Local Authority following further storms on New Years Day 1899. The estate factor, William Ainslie, probably acting under instruction from the Laird at that time, arranged to have much of what was left of the ruins blown up, weakening the remaining structure. Within a fortnight, little remained of the castle.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.