The Château de Chenonceau (Chenonceau Castle) is a manor house near the small village of Chenonceaux. It was built on the site of an old mill on the River Cher, sometime before its first mention in writing in the 11th century. The current manor was designed by the French Renaissance architect Philibert Delorme.
The original manor was torched in 1412 to punish owner Jean Marques for an act of sedition. He rebuilt a castle and fortified mill on the site in the 1430s. Subsequently, his indebted heir Pierre Marques sold the castle to Thomas Bohier, Chamberlain for King Charles VIII of France in 1513. Bohier destroyed the existing castle and built an entirely new residence between 1515 and 1521; the work was sometimes overseen by his wife Katherine Briçonnet, who delighted in hosting French nobility, including King Francis I on two occasions.
Eventually, the château was seized from Bohier's son by King Francis I of France for unpaid debts to the Crown; after Francis' death in 1547, Henry II offered the château as a gift to his mistress, Diane de Poitiers, who became fervently attached to the château along the river. She would have the arched bridge constructed, joining the château to its opposite bank. She then oversaw the planting of extensive flower and vegetable gardens along with a variety of fruit trees. Set along the banks of the river, but buttressed from flooding by stone terraces, the exquisite gardens were laid out in four triangles.
Diane de Poitiers was the unquestioned mistress of the castle, but ownership remained with the crown until 1555, when years of delicate legal maneuvers finally yielded possession to her. However, after King Henry II died in 1559, his strong-willed widow and regent Catherine de' Medici had Diane expelled. Because the estate no longer belonged to the crown, she could not seize it outright, but forced Diane to exchange it for the Château Chaumont. Queen Catherine then made Chenonceau her own favorite residence, adding a new series of gardens.
As Regent of France, Catherine would spend a fortune on the château and on spectacular nighttime parties. In 1560, the first ever fireworks display seen in France took place during the celebrations marking the ascension to the throne of Catherine's son Francis II. The grand gallery, which extended along the existing bridge to cross the entire river, was dedicated in 1577.
On Catherine's death in 1589 the château went to her daughter-in-law, Louise de Lorraine-Vaudémont, wife of King Henry III. At Chenonceau Louise was told of her husband's assassination and she fell into a state of depression, spending the remainder of her days wandering aimlessly along the château's vast corridors dressed in mourning clothes amidst somber black tapestries stitched with skulls and crossbones.
Another mistress took over in 1624, when Gabrielle d'Estrées, the favourite of King Henry IV, inhabited the castle. After that, it was owned by Louise's heir César of Vendôme and his wife, Françoise of Lorraine, Duchess of Vendôme, and passed quietly down the Valois line of inheritance, alternately inhabited and abandoned for more than a hundred years.
Château de Chenonceau was bought by the Duke of Bourbon in 1720. Little by little, he sold off all of the castle's contents. Many of the fine statues ended up at Versailles. The estate itself was finally sold to a squire named Claude Dupin.
Claude's wife (daughter of financier Samuel Bernard and grandmother of George Sand), Madame Louise Dupin, brought life back to the castle by entertaining the leaders of The Enlightenment: Voltaire, Montesquieu, Buffon, Bernard le Bovier de Fontenelle,Pierre de Marivaux, and Jean-Jacques Rousseau. She saved the château from destruction during the French Revolution, preserving it from being destroyed by the Revolutionary Guard because it was essential to travel and commerce, being the only bridge across the river for many miles. She is said to be the one who changed the spelling of the Château (from Chenonceaux to Chenonceau) to please the villagers during the French Revolution. She dropped the "x" at the end of the Château's name to differentiate what was a symbol of royalty from the Republic. Although no official sources have been found to support this legend, the Château has been since referred to and accepted as Chenonceau.
In 1864, Daniel Wilson, a Scotsman who had made a fortune installing gaslights throughout Paris, bought the château for his daughter. In 1913, the Menier family, famous for their chocolates, bought the château and still own it to this day. During World War I the gallery was used as a hospital ward; during the Second War it was a means of escaping from the Nazi occupied zone on one side of the River Cher to the "free" zone on the opposite bank.
The château is classified as a Monument historique since 1840 by the French Ministry of Culture. Today Chenonceau Castle has an exceptional museum collection of the Old Masters’ paintings: Murillo, Le Tintoret, Nicolas Poussin, Le Corrège, Rubens and Le Primatice as well as an extremely rare selection of Flanders Tapestries from the 16th century. An architectural mixture of late Gothic and early Renaissance, Château de Chenonceau and its gardens are open to the public. Other than the Royal Palace of Versailles, Chenonceau is the most visited château in France.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.