The Château Royal of Amboise, standing firmly on its riverside rock facing the Loire river, was home to every king or queen of France for 160 years, up to the end of the 16th century. Built to control a strategic ford that was replaced in the Middle Ages by a bridge and the château began its life in the 11th century, when the notorious Fulk Nerra, Count of Anjou, rebuilt the stronghold in stone.
Expanded and improved over time, on 1434 it was seized by Charles VII of France, after its owner, Louis d'Amboise, was convicted of plotting against Louis XI and condemned to be executed in 1431. However, the king pardoned him but took his chateau at Amboise. Once in royal hands, the château became a favourite of French kings; Charles VIII decided to rebuild it extensively, beginning in 1492 at first in the French late Gothic Flamboyant style and then after 1495 employing two Italian mason-builders, Domenico da Cortona and Fra Giocondo, who provided at Amboise some of the first Renaissance decorative motifs seen in French architecture.
Amboise was the site where a garden laid out somewhat in the Italian manner was first seen in France: the site of the origin of the French formal garden. At the time of Charles VIII, an Italian priest, Pasello da Mercogliano, is credited with laying it out. Charles widened the upper terrace, to hold a larger parterre, enclosed with latticework and pavilions; round it Louis XII built a gallery. The parterres have been recreated in the 20th century as rectangles of lawns set in gravel and a formal bosquet of trees.
King Francis I was raised at Amboise, which belonged to his mother, Louise of Savoy, and during the first few years of his reign the château reached the pinnacle of its glory. As a guest of the King, Leonardo da Vinci came to Château Amboise in December 1515 and lived and worked in the nearby Clos Lucé, connected to the château by an underground passage. Tourists are told that he is buried in the Chapel of Saint-Hubert, adjoining the Château, which had been built in 1491–96.
Henry II and his wife, Catherine de' Medici, raised their children in Château Amboise along with Mary Stuart, the child Queen of Scotland who had been promised in marriage to the future French Francis II.
In 1560, during the French Wars of Religion, a conspiracy by members of the Huguenot House of Bourbon against the House of Guise that virtually ruled France in the name of the young Francis II was uncovered by the comte de Guise and stifled by a series of hangings, which took a month to carry out. By the time it was finished, 1200 Protestants were gibbetted, strung from the town walls, hung from the iron hooks that held pennants and tapestries on festive occasions and from the very balcony of the Logis du Roy. The Court soon had to leave the town because of the smell of corpses.
The abortive peace of Amboise was signed at Amboise on 12 March 1563, between Louis I de Bourbon, Prince de Condé, who had been implicated in the conspiracy to abduct the king, and Catherine de' Medici.
Amboise never returned to royal favour. At the beginning of the 17th century, the huge château was all but abandoned when the property passed into the hands of Gaston d'Orleans, the brother of the Bourbon King Louis XIII. After his death it returned to the Crown and was turned into a prison during the Fronde, and under Louis XIV of France it held disgraced minister Nicolas Fouquet and the duc de Lauzun. Louis XV made a gift of it to his minister the duc de Choiseul. During the French Revolution, the greater part of the château was demolished, a great deal more destruction was done, and an engineering assessment commissioned by Emperor Napoleon Bonaparte in the early 19th century resulted in a great deal of the château having to be demolished.
King Louis-Philippe began restoring it during his reign but with his abdication in 1848, the château was confiscated by the government and became for a while the home in exile to Emir Abd Al-Qadir. In 1873, Louis-Philippe’s heirs were given control of the property and a major effort to repair it was made. However, during the German invasion in 1940 the château was damaged further. Since 1840, the Château d'Amboise has been listed as a monument historique by the French Ministry of Culture.References:
The Church of Saint Demetrius, or Hagios Demetrios, is the main sanctuary dedicated to Saint Demetrius, the patron saint of Thessaloniki. It is part of the site Palaeochristian and Byzantine Monuments of Thessaloniki on the list of World Heritage Sites by UNESCO since 1988.
The first church on the spot was constructed in the early 4th century AD, replacing a Roman bath. A century later, a prefect named Leontios replaced the small oratory with a larger, three-aisled basilica. Repeatedly gutted by fires, the church eventually was reconstructed as a five-aisled basilica in 629–634. This was the surviving form of the church much as it is today. The most important shrine in the city, it was probably larger than the local cathedral. The historic location of the latter is now unknown.
The church had an unusual shrine called the ciborium, a hexagonal, roofed structure at one side of the nave. It was made of or covered with silver. The structure had doors and inside was a couch or bed. Unusually, it did not hold any physical relics of the saint. The ciborium seems to have been a symbolic tomb. It was rebuilt at least once.
The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. These mosaics depict St. Demetrius with officials responsible for the restoration of the church (called the founders, ktetors) and with children. An inscription below one of the images glorifies heaven for saving the people of Thessalonica from a pagan Slavic raid in 615.
Thessaloniki became part of the Ottoman Empire in 1430. About 60 years later, during the reign of Bayezid II, the church was converted into a mosque, known as the Kasımiye Camii after the local Ottoman mayor, Cezeri Kasım Pasha. The symbolic tomb however was kept open for Christian veneration. Other magnificent mosaics, recorded as covering the church interior, were lost either during the four centuries when it functioned as a mosque (1493–1912) or in the Great Thessaloniki Fire of 1917 that destroyed much of the city. It also destroyed the roof and upper walls of the church. Black-and-white photographs and good watercolour versions give an idea of the early Byzantine craftsmanship lost during the fire.
Following the Great Fire of 1917, it took decades to restore the church. Tombstones from the city"s Jewish cemetery - destroyed by the Greek and Nazi German authorities - were used as building materials in these restoration efforts in the 1940s. Archeological excavations conducted in the 1930s and 1940s revealed interesting artifacts that may be seen in a museum situated inside the church"s crypt. The excavations also uncovered the ruins of a Roman bath, where St. Demetrius was said to have been held prisoner and executed. A Roman well was also discovered. Scholars believe this is where soldiers dropped the body of St. Demetrius after his execution. After restoration, the church was reconsecrated in 1949.