The Royal Château de Blois in the center of the city of Blois. The residence of several French kings, it is also the place where Joan of Arc went in 1429 to be blessed by the Archbishop of Reims before departing with her army to drive the English from Orléans.
Built in the middle of the town that it effectively controlled, the château of Blois comprises several buildings constructed from the 13th to the 17th century around the main courtyard. It has 564 rooms and 75 staircases although only 23 were used frequently. There is a fireplace in each room. There are 100 bedrooms.
Beginning with Louis XII, who was born in Blois in 1462, the château became the favorite residence of the kings of France for more than a century. Blois was the first construction undertaken by François I and his successors often resided here. François II spent half of his brief reign at the château and Henri III twice summoned the Estates General of the kingdom here in an attempt to end the Wars of Religion (1576 and 1588) twice.
It was for this occasion that the château of Blois became the setting for the assassination of the Duke of Guise, ordered by the king on December 23, 1588.
The 16th century in Blois was also the century of the Queens: Anne de Bretagne, whose remarriage with Louis XII allowed the return of Brittany to France, followed by Claude of France, who gave her name to a variety of plums (« Reine Claude » that she cultivated in the gardens of Blois. After the brief reign of Mary Stuart, Catherine de Medicis often resided here before dying in her apartments. The memory of the two wives of Henri IV still lingers in Blois: Marguerite de Valois, the so-called "Reine Margot", and Marie de Médicis, who escaped from the château in 1619.
During the 17th century, the Château was a haven for princes and princesses in exil: Marie de Médicis, Gaston d’Orléans, Marie-Casimire de Pologne.
The château became a barracks just prior to the French Revolution. It was classified a national historical monument in 1840 and consequently renovated by Félix Duban, who restored its former splendour. The Château also became a cultural institution housing several museums.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.