The Royal Château de Blois in the center of the city of Blois. The residence of several French kings, it is also the place where Joan of Arc went in 1429 to be blessed by the Archbishop of Reims before departing with her army to drive the English from Orléans.
Built in the middle of the town that it effectively controlled, the château of Blois comprises several buildings constructed from the 13th to the 17th century around the main courtyard. It has 564 rooms and 75 staircases although only 23 were used frequently. There is a fireplace in each room. There are 100 bedrooms.
Beginning with Louis XII, who was born in Blois in 1462, the château became the favorite residence of the kings of France for more than a century. Blois was the first construction undertaken by François I and his successors often resided here. François II spent half of his brief reign at the château and Henri III twice summoned the Estates General of the kingdom here in an attempt to end the Wars of Religion (1576 and 1588) twice.
It was for this occasion that the château of Blois became the setting for the assassination of the Duke of Guise, ordered by the king on December 23, 1588.
The 16th century in Blois was also the century of the Queens: Anne de Bretagne, whose remarriage with Louis XII allowed the return of Brittany to France, followed by Claude of France, who gave her name to a variety of plums (« Reine Claude » that she cultivated in the gardens of Blois. After the brief reign of Mary Stuart, Catherine de Medicis often resided here before dying in her apartments. The memory of the two wives of Henri IV still lingers in Blois: Marguerite de Valois, the so-called "Reine Margot", and Marie de Médicis, who escaped from the château in 1619.
During the 17th century, the Château was a haven for princes and princesses in exil: Marie de Médicis, Gaston d’Orléans, Marie-Casimire de Pologne.
The château became a barracks just prior to the French Revolution. It was classified a national historical monument in 1840 and consequently renovated by Félix Duban, who restored its former splendour. The Château also became a cultural institution housing several museums.References:
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.