The Royal Château de Blois in the center of the city of Blois. The residence of several French kings, it is also the place where Joan of Arc went in 1429 to be blessed by the Archbishop of Reims before departing with her army to drive the English from Orléans.
Built in the middle of the town that it effectively controlled, the château of Blois comprises several buildings constructed from the 13th to the 17th century around the main courtyard. It has 564 rooms and 75 staircases although only 23 were used frequently. There is a fireplace in each room. There are 100 bedrooms.
Beginning with Louis XII, who was born in Blois in 1462, the château became the favorite residence of the kings of France for more than a century. Blois was the first construction undertaken by François I and his successors often resided here. François II spent half of his brief reign at the château and Henri III twice summoned the Estates General of the kingdom here in an attempt to end the Wars of Religion (1576 and 1588) twice.
It was for this occasion that the château of Blois became the setting for the assassination of the Duke of Guise, ordered by the king on December 23, 1588.
The 16th century in Blois was also the century of the Queens: Anne de Bretagne, whose remarriage with Louis XII allowed the return of Brittany to France, followed by Claude of France, who gave her name to a variety of plums (« Reine Claude » that she cultivated in the gardens of Blois. After the brief reign of Mary Stuart, Catherine de Medicis often resided here before dying in her apartments. The memory of the two wives of Henri IV still lingers in Blois: Marguerite de Valois, the so-called "Reine Margot", and Marie de Médicis, who escaped from the château in 1619.
During the 17th century, the Château was a haven for princes and princesses in exil: Marie de Médicis, Gaston d’Orléans, Marie-Casimire de Pologne.
The château became a barracks just prior to the French Revolution. It was classified a national historical monument in 1840 and consequently renovated by Félix Duban, who restored its former splendour. The Château also became a cultural institution housing several museums.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.