Château de Azay-le-Rideau was built from 1515 to 1527 and it is one of the earliest French Renaissance châteaux. Built on an island in the Indre River, its foundations rise straight out of the water.
Gilles Berthelot, Treasurer-General of the Finances of France under King Francis I and mayor of Tours, began reconstructing Azay-le-Rideau's earlier medieval castle, that was part of his wife's inheritance. However, it was his wife, Philippe Lesbahy, who directed the course of the works, including its central internal staircase that is Azay's greatest most remarkable feature.
When Berthelot was suspected of collusion in embezzlement he was forced to flee from incomplete Azay-le-Rideau in 1528; he never saw the château again. Instead, the king confiscated the property and gave it as a reward to one of his high-ranking soldiers.
Over the centuries, it changed hands several times until the early part of the twentieth century, when it was purchased by the French government and restored. The interior was completely refurbished with a collection of Renaissance pieces.
Today, the château is open to public visits, and is operated by the Centre des monuments nationaux. Azay-le-Rideau is surrounded by a distinctly 19th-century park like English landscape garden with many specimen trees, especially exotic conifers: Atlas cedar, and bald cypress and sequoias from the New World.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.