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Taymouth Castle lies on the south bank of the River Tay, about a mile from Loch Tay, in the heartland of the Grampian Mountains.
Taymouth Castle stands on the site of the much older Balloch Castle, which was built in 1552, as the seat of the Campbell clan. In the early 19th century, Balloch Castle was demolished by the Campbells of Breadalbane, so that the new, much larger castle could be rebuilt on the site. The new castle's blue-grey stone was taken from the quarry at Bolfracks.
Built in a neo-Gothic style and on a lavish scale, Taymouth Castle is regarded as the most important Scottish castle in private ownership. Its public rooms are outstanding examples of the workmanship of the finest craftsmen of the 19th century. No expense was spared on the castle's interior, which was decorated with extravagant carvings, plasterwork and murals. Panels of medieval stained glass and Renaissance woodwork were incorporated into the scheme. Much of this decor still survives.
Francis Bernasconi, acknowledged as the greatest designer of fine plasterwork of the era, created the magnificent central staircase, that connects all four storeys of the central tower. Many of the ceilings were painted by Cornelius Dixon.
The castle is a Category A listed building, and the grounds, which include parklands and woodlands, are included in the Inventory of Gardens and Designed Landscapes, the national listing of significant gardens.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.