Cairnpapple Hill is a hill with a dominating position in central lowland Scotland with views from coast to coast. It was used and re-used as a major ritual site over about 4000 years. Probably around 3000 BC a Class II henge was constructed with the hilltop being surrounded by a bank outside a ditch about 4 m wide cut over 1 m into the rock, with wide entrances from north and south. Inside this an egg-shaped setting of 24 uprights (thought to have been timber posts, or possibly standing stones) enclosed an inner setting of similar uprights.
Some time later a Bronze Age ritual added a small stone and clay cairn just off centre inside the monument, with a 2 m high standing stone to the east and a setting of smaller stones. Also aligned to this cairn were sockets for three upright stones at the centre of an arc of seven small pits, six of which contained cremated bones and two contained remains of bone skewer pins. Under the cairn traces were found of at least one burial, with wooden objects (perhaps a mask and club) and beaker people style pottery which indicates a date around 2000 BC.
This cairn was later covered by a second much larger cairn about 15 m across and several yards (metres) high, with a kerb of massive stone slabs, which incorporated Bronze Age burial cists, one of which contained a food vessel pot. Subsequently, more stone was brought in to increase this cairn to about 30 m diameter, enclosing two cremation burials in inverted urns and now covering the original ditch and bank, making the whole site a tomb monument. Lastly, inside the ditch to the east four graves considered Iron Age are now thought to be early Christian because of their east-west alignment, and are dated to around 500 to 1000.
The site is open to the public April to September and has a small visitor centre. The 1940s excavations have been partly covered by a concrete dome replicating the second cairn (although the dome is much higher than the cairn) so that visitors can go inside what was once a solid cairn and see the reconstructed graves, and outside this the surrounding post holes and graves are marked by being filled with colour-coded gravel like an archaeological plan, with the red gravel indicating upright pits, and the white gravel denoting the alleged Christian burials. The current display attempts to show all the main phases of the site at the same time.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.