Hawthornden Castle comprises a 15th-century ruin, with a 17th-century L-plan house attached. The house has been restored and now serves as a writer's retreat. Man-made caves in the rock beneath the castle have been in use for much longer than the castle itself.
The castle comprises a roughly triangular courtyard, approximately 24m long and 12m at its widest point, projecting north-west along a rocky promontory on the south bank of the River Esk. The 15th-century tower is situated at the south-east corner. Around 8m square, the tower is ruined, although the recent renovation included the installation of a library in the tower basement. There is also a rib-vaulted pit prison beneath the tower. Windows on the south curtain wall show that a range of buildings once stood here, although these are now all gone. A well in the west end of the courtyard supplied the castle's water.
The 16th century range is to the north, and is linked to the tower by a 16th-century wall, in which is the entrance. The range is of three storeys and an attic, and was originally harled. The renaissance-style doorway is of later date, as is the iron knocker with the initials of Sir William Drummond (the son of the poet) and his wife, Dame Barbara Scott. There are three gunports around the doorway, with a fourth in the tower. The last addition to the castle was a single-storey range to the west, built in the late 18th or early 19th century.
References:can it be visited by the public
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.