La Foncalada, Oviedo, Spain - SpottingHistory.com

La Foncalada is a fountain of potable water located outside the city walls of Oviedo; it was built by king Alfonso III of Asturias in the 9th century. This building remains the only surviving civil architectural item for public use of the Early Middle Ages. Its name was given after the inscription in Latin: fontem calatam written on it. Built in Pre-Romanesque style, it has been included with other Asturian Pre-Romanesque sites on the UNESCO World Heritage Site List since 1998.

It was originally placed near the city walls, next to an ancient Roman road. The decoration on top depicts the Victory Cross, symbol of Asturias.

This public fountain, which belongs to Oviedo Town Hall, is erected over a spring. The source is a rectangle of about 4 metres wide. It has a shape of a vaulted chapel and is crowned by the royal ensign of the Victory Cross.

References:

Wikipedia

User Reviews

Vladimir Titin (9 months ago)
Original 9th century fountain, one of the few well preserved and in use examples of high medieval civil architecture. Difficult to park nearby, better to walk.

María Eugenia Robles (2 years ago)
It's a historical place however it is careless

Clary Pardo Johnson (3 years ago)
Wish there was more information about this. We needed information about the historical importance.

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Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.

Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.

In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.

During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.

In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.

The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.

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