The hermitage of San Román de Moroso is a beautiful and genuine example of the Mozarabic art or Repopulation art in the region of Cantabria. This small hermitage erects in a remote gulley of the hills of Bostronizo. It scarcely reaches 12 metres long and six metres wide. Its dating is possibly from the 10th century, although there is not any document to confirm it. However, the first document that proves the existence of the monastery of Moroso is of 1119, the year in which the queen Doña Urraca donates the property to the monastery of St. Domingo de Silos.
It is a construction of regular proportions and perfect adaptation to its volumes. The building, gabled, is made of ashlar stone with pieces well squared in corners and jambs of the spans, put together with mortar. The apse is quadrangular and the gable finishes off a bell gable of later construction. The eaves stands up with foiled modillions decorated with swastikas, sun disks and four and six petal flowers. The origin of the vegetal motifs as well as the geometrical ones were profane representations though christianized later by the Visigoths and finally adopted by the Mozarabics. The inside is formed by a single rectangular and remarkably high nave with wooden frame.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.