Built during the 13th-15th centuries, the castle of San Vicente de Argueso represents the most outstanding and ancient example of the Roqueno Castle of Cantabria, being the only interior castle that exists in the Community.
The castle was one of the strengths of Senorio de la Vega from which they defended their interests in Campoo de Suso. In the fifteenth century, he is the owner of the same Don Leonor de la Vega, wife of the Admiral of Castile, Don Diego Hurtado de Mendoza and mother of Inigo Lopez de Mendoza, the illustrious Marques de Santillana, one of the key players in the Castilian politics of that era. He is more known perhaps for the quality of his poetic work. On the death of the Marquis, in 1458, his first born son, Diego Hurtado de Mendoza, succeeded him, and thanks to the fidelity shown to the Catholic Monarchs, he was appointed in 1475 Duke of the Infantado, Marques de Argueso and Campoo. From then on, the castle became the seat of the Marquesado de Argueso, which was organized under an administration that was independent in some respects from that of the Merindad de Campo. Don Mariano Tellez Giron, Duke of Osuna and the last Marques owner of the castle, sold the castle in 1873. Ever since then passing through different hands. The last owner of the castle, Dona Teresa Rabago, donated the castle to the City Council of the Brotherhood of Campoo de Suso in 1962 with the 'only' condition is that the castle would be renovated. They are still the owners of the fortress until this day.
Declared a Cultural Interest Property in 1983, the castle was restored by the Town Council of the Brotherhood of Campoo de Suso and the Regional Government.
On the occasion of this restoration in 1988, highlighting the great artisanal work done on the noble wood by the Sobaler family and their team of local craftsmen (artisans). They found in the basement of the south tower and the walls of the old chapel of the martyr San Vicente, around which a necropolis was still visible in the courtyard of the castle.
In August of 1999, the Castle opened its doors to the public, functioning as a cultural centre, hosting both temporary exhibitions, as well as other festivities.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.