Fort Hubberstone, on the west side of Milford Haven, belongs to a series of forts built as part of the inner line of defence of the Haven following the Royal Commission on the Defence of the United Kingdom. Together with Popton Fort on the opposite shore, it provided an interlocking field of fire, and represented the last layer of defence before reaching the Royal Naval dockyard at Pembroke Dock.
Construction began in 1860 and was completed in 1863. It is a large battery, with eleven guns in casemates, eight in an open battery above, with another nine in an open flank battery, and a large barracks to the rear. It is a D-shaped structure, with a bomb-proof roof which protected the barracks and other buildings from mortar projectiles. On its landward side, it was protected by a deep ditch, and on the seaward side by a counter-scarp gallery. The associated casemate battery is located further down the headland and separated from the fort.
The fort was abandoned after World War I as a consequence of the Haldane Reforms. A 1919 proposal to convert the structure into social housing came to nothing. World War II saw the fort once again in active use, when it was used as an air raid shelter and army camp for American military personnel.
On a good site, the fort has fallen into disrepair. Under the ownership of Milford Haven Port Authority, there were various unsuccessful plans to restore the structure. The site is not currently open to the public, and has been the scene of non-fatal injuries to trespassers.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.