The Church of the Ascension of Jesus was built in the mid-16th century and is three-nave, with the middle vessel arched and flat pages covered with gains in domes. In the west is the gallery for women. On the south wall, above the present level of the floor during the repair of the church year 1963-64 was discovered a flat painting dating from the 16th-17th century. During the 19th century the church was given the inal look. In 1824 the iconostasis was completed and in 1867 it was part of the throne icons. The iconostasis and icons were made by cooperatives and traders from Skopje.
The Orthodox congregation under Ottomans was included in a specific community under Greek domination. With the rise of nationalism, the Bulgarian population of the area voted in 1874 overwhelmingly, by 91% in favour of joining the Bulgarian Exarchate. This remained so until 1890 when it was taken back by the Greek priests. In 1901 the church was taken from the Serb community and became the seat of the Skopje Metropolitan, Firmilijan and his successors.
The door for entering in the yard is heavy and made from oak. In the yard is a white sarcophagus containing the remains of the revolutionary Gotse Delchev.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.