Church of Saint Nicetas in Banjane is a medieval Orthodox church. The monastery and church, dedicated to Saint Nicetas, was built by the Serbian king Milutin ca. 1300 on the ruins of a previous church. The monastery was donated by Milutin short after their construction to the Serb monastery Chilandar on Mount Athos. St Nicetas was thoroughly renovated in 1484.
Saint Nicetas has a simple cross-in-square base with a central come standing on pandantifs and four columns. The outer decoration is typically Byzantine, done in layers of stone and red brick. The nicest decoration is to be found on the wall of the apse.
The signature on the shield of St Theodore reveals that the church was painted by the famous Michael, son of Eutichios, the favorite court painter of King Milutin who painted many other of his churches as well (for example Staro Nagoričane). The frescoes are well preserved and all date from around 1324, except those in the dome which are from 19th century, done by the well-known Dimitar 'Dičo Zograf' Krstević.
One of the reasons for their good condition was the renovation of 1484 done in an astonishingly modern manner by the group that fresco painted Treskavec Monastery (1483), old katholikon of the Monastery of Great Meteoron (1483) and the church of St Nicholas of the Nun Eupraxia in Kastoria (1486).
In the lowest section are represented life size figures of saints. In the middle section we see Christ's miracles while in the upper parts of the church are representations of Passion. The inscriptions are in Greek and Church Slavonic of Serbian redaction.
The iconostasis of the church was painted in 1846-1847 by Dičo Zograf.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.