The Monastery of the Most Holy Mother of God, commonly known as Matejče, is a 14th-century Serbian Orthodox monastery located in the village of Matejče on the slopes of Skopska Crna Gora.
The monastery was built in the 14th century on the ruins of an older, Byzantine Greek church built in 1057–59, evident in preserved Greek inscriptions. It was mentioned for the first time in 1300 in a chrysobull of Serbian king Stefan Milutin (r. 1282–1321). In the mid-14th century, Serbian emperor Stefan Dušan (r. 1331–55) started reconstructing the monastery, finished by his son Stefan Uroš V in 1357 (becoming his endowment). Coins of Uros V has been found at the site. Isaiah the Serb and Vladislav Gramatik lived in the monastery. In the 18th century the roof was removed by the Ottomans and put on the Eski Mosque in Kumanovo, after which it deteriorated. In 1926–34 the monastery was renovated.
It is designed in the cross-in-square plan. The dome bears the same exonarthex technique as Hilandar. It was painted in 1356–57.
The monastery was occupied and desecrated by Albanian insurgents and used as a base and munition storage during the Insurgency in the Republic of Macedonia (2001). Serbian Patriarch Pavle issued a statement to the UN regarding the destruction of Serbian monasteries in Kosovo, and the threat of destruction of monasteries in Macedonia. The church exterior was not damaged, however, the interior and inventory were stolen or burnt.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.