Zrze Monastery is located near the village Zrze, approx. 25km north-west of Prilep. The numerous remnants of the ancient period-pillars, basilica remains, and other exponents speak of the rich cultural tradition, of this area. Traditionally the monks lived in carved out stone hollows, from the mountain side cliffs. This is believed to date back to the 3rd and 4th century.
Today, Zrze monastery complex consists of the church St. Petar and Pavle, the inns and several accessory rooms. The church has been renovated several times, and the painting is preserved only in fragments. In the 14th century, the church walls were painted with painting of extraordinary artistic value.
Dated from 1421, the icon of the Holy Virgin Pelagonitissa, now part of the iconostasis inside the Church of Saints Peter and Paul, is considered one of the last outstanding achievements of icon painting, a representation of the then still-living Byzantine iconography. Its author Makarije Zograf worked on the
icon in the monastery of the village Zrze. Makarije Zograf and his brother Metropolitan Jovan Zograf cared for the monastery endowment until it was transferred to Constantine, the village head (kmet).
Under the monastery are the monk cells, and their high number indicates the rich life of the monks, who belonged to the highest monastical order.
Zrze is a fully functioning monastery, in line with the faith of the Macedonian Orthodox Church.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.