Llandovery Castle is a late thirteenth-century ruin which occupies a knoll overlooking the River Towy and the land surrounding it. The Normans built a castle in the current location in the early twelfth century and this was rebuilt in stone. It was burnt in the early sixteenth century and never repaired.
A Norman knight, Richard Fitz Pons, received the lordship of Cantref Bychan in 1116 and he probably began construction of a motte-and-bailey castle in same year. It was repeatedly lost to the Princes of Deheubarth over the next several generations. King Henry II of England spent a great deal of money repairing the castle in 1159–62, but the Welsh captured it regardless. It finally fell to the English under Edward I in 1277. It was briefly retaken by Welsh forces under Llywelyn ap Gruffudd five years later. The castle was then granted to John Giffard, 1st Baron Giffard, who likely rebuilt it in stone. The building passed to the baronial Audley family of Heleigh in 1299 (who later inherited the lordship of Cemaes in north Pembrokeshire) and then into the Touchet family in the fourteenth century. King Henry IV of England visited the castle in 1400 and it was besieged during the Owain Glyndŵr rebellion three years later. The castle was burnt in a rebellion led by Hywel ap Rhys in 1532 and was never rebuilt.
The keep is a large D-shaped tower on the western side of the castle. The gatehouse has two towers on the north side with a well-tower. There are also remnants of the curtain wall around the filled-in ditch.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.