Paxton's Tower is a Neo-Gothic folly erected in honour of Lord Nelson. It is situated on the top of a hill near Llanarthney. The tower was built by Sir William Paxton (1745-1824), a Scottish-born and London-raised merchant and banker, whose forefathers were from Auchencrow by Paxton, Berwickshire. Paxton made his first fortune while with the HEIC in Calcutta with Charles Cockerell, brother of the architect. He purchased the Middleton Hall estate c 1790. The tower was built c 1806-1809. Paxton may have been inspired to build the tower by Nelson's death at Trafalgar. Whilst in the office of mayor of Carmarthen, he may have met Nelson in person. Marble tablets dedicating the tower to Nelson were located above the entrances to the tower.
Middleton Hall was designed by the architect, Samuel Pepys Cockerell (1754-1827) and was destroyed by fire in 1931.
The tower is 36 feet high. The lower part of the tower is triangular in shape with a turret at each corner. On the first floor there is a banqueting room. Coloured glass from one of the windows can now be seen in the Carmarthen Museum at Abergwili. On the second floor there is a hexagonal prospect room surrounded by roof terraces. The windows to the prospect room are now bricked up. There is currently public access to the first floor banqueting room via stairs in one of the corner turrets.
A piece of land at the nearby National Botanic Garden of Wales, named Paxton's View because of its views of the tower, features the sculpture Pi by Rawleigh Clay, which consists of a large metal hoop mounted by a twisted wooden structure. The hoop is designed so that it 'frames' the view of Paxton's Tower, and as such has been described as a 'viewing circle' for the tower.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.