Oxwich Castle occupies a position on a wooded headland overlooking Oxwich Bay on the Gower Peninsula, Wales. Although it may occupy the site of an earlier fortification, it is a castle in name only as it is a grand Tudor fortified manor house built in courtyard style.
A charter of 1306 granted in Swansea refers to tenants of 'the ancient knight's fees' (that is, military tenants) at Oxwich, and this indicates that there may have been some fortifications on the site before the present castle. At this time Oxwich was owned by the de Penres family, who had been in possession since the 1230s. However, with the exception of a ruined tower to the north-east of the castle, which may predate the Tudor building, (and may be the castrum de Oxenwych mentioned in a document of 1459) nothing remains of any earlier works.
The existing buildings were largely created in the 16th century. They consist of a Gateway (built 1520–1538) leading to a courtyard, a Hall at the east of the courtyard opposite the Gateway (1559–1580) and a South Range (1520–38). At the corner of the Hall and the South Range is the six-story South-East Tower. To the north-east of the Castle are the remains of a large stone dovecote.
The Gateway is surmounted by a plaque with the coats of arms of the Mansell family and the Penrice and Scurlage families to which Sir Rhys was related. The East Range carried a large Hall, and, with the South-East Tower to which it was connected, provided extensive accommodation. It is possible that the construction of this range may have led to the bankruptcy of its builder, Sir Edward Mansell. The South Range contained a kitchen.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.