Llanthony Priory s a partly ruined former Augustinian priory. The priory dates back to around the year 1100, when Norman nobleman Walter de Lacy reputedly came upon a ruined chapel of St. David in this location, and was inspired to devote himself to solitary prayer and study. A church was built on the site, dedicated to St John the Baptist, and consecrated in 1108. By 1118, a group of around 40 monks from England founded there a priory of Canons Regular, the first in Wales.
In 1135, after persistent attacks from the local Welsh population, the monks retreated to Gloucester where they founded a secondary cell, Llanthony Secunda. However, around 1186 another member of the de Lacy family, Hugh, the fifth baron, endowed the estate with funds from his Irish estates to rebuild the priory church, and this work was completed by 1217.
The Priory became one of the great medieval buildings in Wales, in a mixture of Norman and Gothic architectural styles. Renewed building took place around 1325, with a new gatehouse.
Following Owain Glyndŵr's rebellion in the early 15th century, the Priory seems to have been barely functioning. In 1481 it was formally merged with its daughter cell in Gloucester, and after 1538 both houses were suppressed by Henry VIII's Dissolution of the Monasteries.
The buildings at Llanthony gradually decayed after the Dissolution to a ruin, although in the early 18th century the medieval infirmary was converted to the Church of St David. In 1799 the estate was bought by Colonel Sir Mark Wood, the owner of Piercefield House near Chepstow, who converted some of the buildings into a domestic house and shooting box.
The ruins have attracted artists over the years, including J. M. W. Turner who painted them from the opposite hillside. Wood's house later became the Abbey Hotel. The remaining ruins are protected by Cadw and entrance to the ruins is free.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.