The ancient theatre of Lindos lies at the foot of the west slope of the rock of the Lindos acropolis. It had 19 rows of seats, most of them carved into the rock although somewere built, as were the endmost cunei and the side retaining walls, which do not survive. Today only the rock-carved sections are preserved: the circular orchestra, the three central cunei of the lower cavea and parts of the two neighbouring ones, and the central section of the upper cavea. The orchestra of the theatre is circular, also carved into the rock.
The theatre is dated to the 4th century BCE and had a capacity of 1,800-2,000 spectators. It is connected to the great city festivals in honour of Dionysos, the Sminthia, which included theatrical, musical and athletic competitions, processions and sacrifices. In the 3rd century BCE, directly adjacent to the theatre was built the Tetrastoon, a rectangular building with an internal colonnade, perhaps a sanctuary of Dionysos Smintheus.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.