Passing through the villages Archipoli and Psinthos,you reach Eleousa. By following the road west of the village you arrive in Agios Nikolaos Fountoukli. The church dates from the 14th to 15th century A.D. and is a central square building covered with a dome. The frescoes, which date also from the 14th to 15th century A.D., show some iconographic peculiarities. The two portraits of the donors make us assume that one of them was a senior byzantine administrative officer who dedicated the church to Agios Nikolaos. In the south wall of the western apse, the portrait depicts the founder with his wife beneath a decorative bow holding a model of the temple.
At the same time, they pray to the statue of Christ that stands above them, receiving his blessing. What;s important in this church is the triple composition of the frescoes in the apse. In the north wall depicts the founder’s three children a girl and two boys, praying beneath the bust of Christ-Emmanuel. From the inscriptions accompanying them, we learn that they have all died. The temple was built and decorated probably in their memory. The artist custom made the frescoes. He drew the children in Paradise. Decorative elements with birds symbolize Paradise. Equally important is that Christ, blessing the deceased children is depicted as a child and not a bearded adult. Many who visit the church claim to hear the voices of the children.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.