Passing through the villages Archipoli and Psinthos,you reach Eleousa. By following the road west of the village you arrive in Agios Nikolaos Fountoukli. The church dates from the 14th to 15th century A.D. and is a central square building covered with a dome. The frescoes, which date also from the 14th to 15th century A.D., show some iconographic peculiarities. The two portraits of the donors make us assume that one of them was a senior byzantine administrative officer who dedicated the church to Agios Nikolaos. In the south wall of the western apse, the portrait depicts the founder with his wife beneath a decorative bow holding a model of the temple.
At the same time, they pray to the statue of Christ that stands above them, receiving his blessing. What;s important in this church is the triple composition of the frescoes in the apse. In the north wall depicts the founder’s three children a girl and two boys, praying beneath the bust of Christ-Emmanuel. From the inscriptions accompanying them, we learn that they have all died. The temple was built and decorated probably in their memory. The artist custom made the frescoes. He drew the children in Paradise. Decorative elements with birds symbolize Paradise. Equally important is that Christ, blessing the deceased children is depicted as a child and not a bearded adult. Many who visit the church claim to hear the voices of the children.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.