Place de la Bourse is a square in Bordeaux, France and one of the city's most recognisable sights. Built from 1730 to 1775 along the Garonne River, it was a multi-building development designed by architect Ange-Jacques Gabriel. It is within the historic part of the city that has been recognized on the UNESCO World Heritage List as 'an outstanding urban and architectural ensemble' of the 18th century.
In the original plan, a statue of King Louis XV of France was erected in the square. This statue was destroyed during the French Revolution. After the destruction of the statue, a Corinthian column-fountain was built on the square. Finally, in 1869 the sculpture Three Graces was installed in the same location.
This square is one of the most representative works of classical French architectural art of the eighteenth century. In the north stood the Palais de la Bourse (current Chamber of Commerce and Industry of Bordeaux) and in the south the Hotel des Fermes (now Interregional Directorate of Customs and Indirect Rights, which houses the National Museum of Customs). It was designed by Ange-Jacques Gabriel between 1735 and 1738. The sculptures represent Minerve protecting the arts and Mercury favoring the commerce of the city.
The Miroir d'eau (Water Mirror) is the world's largest reflecting pool, covering 3,450 square metres. Located on the quay of the Garonne in front of the Place de la Bourse, it was built in 2006.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.