The presence of a Jewish community if Aquitane can be traced back several centuries. This increased considerably after the promulgation of the decree of the Alhambra (March 31, 1492) by which the Catholic Monarchs decided to expel the Jews of the Iberian Peninsula. Fleeing persecution by the Inquisition, many of them decide to move beyond the Pyrenees, forming communities often active and successful in the south-west France. The Jewish community flourished in Bordeaux for centuries, providing some important names in the fields of literature, arts, commerce and politics.
During the creation of the Central Consistory of Napoleon, a regional Consistory was created in Bordeaux in 1808. A year later, a large synagogue was founded on Causserouge Street. Designed by the architect Arnaud Corcelle, it is loosely based on oriental architecture. The nerve center of the Jewish quarter, this monumental building was the victim of a terrible fire in 1873.
This loss made the representatives of the community determined to build a new sanctuary, whose implementation was entrusted to the architect André Burguet and, after his death to the architects Charles Durand and Paul Abadie. Work began in 1877 and was completed in 1882. On Sept. 5, the Great Synagogue of Bordeaux was inaugurated.
During the German occupation, the synagogue was pillaged and served as a place of internment for Jews who failed to escape in time. Nearly 1,600 families were imprisoned before being deported to the camps of Dachau and Auschwitz-Birkenau.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.