The Château de Pitray (built in the 17th century) is in the village of Saint-Seurin-de-Prats. The name comes from Pic du Roy, or king’s peak, since the house was built on an ancient tumulus also known as Mothe de Prats, signifying that it was on land a little higher than the plain.
It belonged to the Puch family before being acquired by Gabriel de Ségur, seigneur of Pitray. From there it passed on to Pierre de Ségur, son of Thomas, co-seigneur of Pitray, and to his daughter Henriette, married to Alexandre de Puch in 1715, whose descendants remained in possession of the property until 1900. Pierre de Ségur, chevalier of Pitray and a lieutenant in the Koenigsmark Cavalry Regiment, distinguished himself during the dragonnades, or persecutions directed against Protestants during the reign of Louis XIV.
Originally the main part of the house consisted of two wings of equal size in the shape of perpendicular rectangles, delimiting the courtyard opening out onto the Dordogne River. Pitray became the property of Doctor Samuel Amanieux at the end of the 19th century and in 1905, a Bordeaux architect joined the two wings by a massive flat-roofed building and an Italianate terrace lined with pilasters.
Over the last 25 years, the Château de Pitray has become a venue appreciated for organizing business meetings and all types of seminars, conferences, and especially concerts.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.