Lichtenwalde Palace and Park is a magical place in Central Saxony that charms visitors with a wide range of water features: 335 historical fountains are spread across the baroque garden, all interconnected in an ingenious circuit. In spring, guests can experience a symphony of rustling leaves, bubbling fountains and fragrant flowers. The subtle design of Lichtenwalde Castle and Park makes it one of the prettiest baroque ensembles in Germany.
The palace houses the Treasure Chamber Museum with exhibits from foreign cultures and even ancient civilizations, such as porcelain and silk embroidery from China and Japan, ritualistic objects from Nepal and spirit masks from West Africa. Another unforgettable attraction is the largest collection of silhouettes in Germany.
Around 1230 a castle was built on the left bank of the Zschopau , 60 m above the valley. After the castle was administered by the empire for a short time at the end of the 13th century, it fell back to the margraves in 1307, who pledged the property with all its accessories in 1336 to the burgraves of Meissen and later loaned it to them.
Christoph Heinrich Graf von Watzdorf had the remains of the old castle and the Harrasschen Castle demolished and a large baroque castle built in its place after 1722. His son Friedrich Carl Graf von Watzdorf had an extensive park laid out around the complex from 1730.
When Watzdorf died without descendants, Lichtenwalde came into the possession of his widow, Henriette Sophia, née Countess Vitzthum von Eckstädt, in 1764. With that, the property came back to Vitzthume after more than 300 years. The Counts Vitzthum von Eckstädt remained lords of the castle in Lichtenwalde until they were expropriated in 1945.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.