Lichtenwalde Palace and Park is a magical place in Central Saxony that charms visitors with a wide range of water features: 335 historical fountains are spread across the baroque garden, all interconnected in an ingenious circuit. In spring, guests can experience a symphony of rustling leaves, bubbling fountains and fragrant flowers. The subtle design of Lichtenwalde Castle and Park makes it one of the prettiest baroque ensembles in Germany.
The palace houses the Treasure Chamber Museum with exhibits from foreign cultures and even ancient civilizations, such as porcelain and silk embroidery from China and Japan, ritualistic objects from Nepal and spirit masks from West Africa. Another unforgettable attraction is the largest collection of silhouettes in Germany.
Around 1230 a castle was built on the left bank of the Zschopau , 60 m above the valley. After the castle was administered by the empire for a short time at the end of the 13th century, it fell back to the margraves in 1307, who pledged the property with all its accessories in 1336 to the burgraves of Meissen and later loaned it to them.
Christoph Heinrich Graf von Watzdorf had the remains of the old castle and the Harrasschen Castle demolished and a large baroque castle built in its place after 1722. His son Friedrich Carl Graf von Watzdorf had an extensive park laid out around the complex from 1730.
When Watzdorf died without descendants, Lichtenwalde came into the possession of his widow, Henriette Sophia, née Countess Vitzthum von Eckstädt, in 1764. With that, the property came back to Vitzthume after more than 300 years. The Counts Vitzthum von Eckstädt remained lords of the castle in Lichtenwalde until they were expropriated in 1945.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.