The Renaissance-style Almudí Palace, a historic building from the 15th century, is currently a municipal art centre and has magnificent exhibition rooms, with a stable and continuous programme. The building has undergone various modifications throughout its history
It is a unique building from the 15th century with an imposing appearance and a colonnaded courtyard that takes us back to Baroque Murcia. It was an old grain warehouse, the first idea of building a public warehouse in Murcia, for the cereals collected, as well as for the tithes is attributed to King Alfonso X the Wise, in the 13th century.
Its original structure caught fire in 1612 when lightning struck the powder magazine that was temporarily stored there and destroyed a large part of the building, which was later rebuilt.
This carving, emblematic of the city, is the representation of a woman, a midwife, breastfeeding a child next to her own, symbolising and paying tribute to the hospitality of the city of Murcia. The pelican crowning the relief is a symbol of abundance.
The main door of the Almudí Palace is crowned by an enormous royal coat of arms of the Habsburgs, flanked by two smaller coats of arms of Murcia, which have only six crowns as they predate the reign of Philip V, the monarch who granted the seventh crown to the city of Murcia.
In 1886 the building was converted into the Judicial Court, and today it houses the city archive, located on the first floor, where files and administrative documentation on Murcia and the huerta (market garden) have been kept since the 13th century.
Inside, there is a grandiose hall with Tuscan columns, which is currently used as an exhibition hall, and a stretch of the Arab wall that surrounded the city of Murcia, which serves as a load-bearing wall for the building itself, as the Almudí was built on top of this defensive construction.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.