The Armijska Ratna Komanda ARK D-0, nicknamed Tito's bunker, is a Cold War-era nuclear bunker and military command centre located near the town of Konjic in Bosnia and Herzegovina. Built to protect Yugoslav President Josip Broz Tito and up to 350 members of his inner circle in the event of an atomic conflict, the structure is made up of residential areas, conference rooms, offices, strategic planning rooms, and other areas. The bunker remained a state secret until after the breakup of Yugoslavia in the 1990s.
Built between 1953 and 1979 inside Zlatar Hill at the southern foothills of Bjelašnica Mountain, the ARK is the largest nuclear shelter, and one of the largest underground facilities, ever built in the former Yugoslavia. For over a decade after its completion, it was the most secret military installation in the country. All construction workers were carefully vetted, signing a confidentiality contract, and all staff members held the highest security clearance.
Tito's bunker now serves as a meeting point for artists from across the region, Europe, and the world. The goal of the Project Biennial of Contemporary Art is to transform a site still officially under military control into a prestigious regional cultural institution at the forefront of emerging artistic trends. The project seeks to preserve cultural heritage and a historic structure as well as to create artistic value and reestablish broken connections between artists and creative people in the region.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.