Bobovac is a fortified city of medieval Bosnia and Herzegovina. It is located near today's Vareš and the village of Borovica. The city was built during the reign of Stephen II, Ban of Bosnia, and was first mentioned in a document dating from 1349. It shared the role of seat of the rulers of Bosnia with Kraljeva Sutjeska, however Bobovac was much better fortified than the other.
Bosnian King Stephen Tomašević moved the royal seat to Jajce during his war with the Ottoman Empire. The Ottomans invaded the city in 1463. Its fall hastened the Ottoman conquest of Bosnia.
Within its main walls' enclosure, the royal town of Bobovac had large residential area, the complex of places of worship with the Burial Chapel for the Bosnian Kings and the Grand Church, the Royal Court complex, separated from the rest of the town with its inner walls and forecourts or courtyards, designed with representative architectural elements in Gothic architectural style. Also, some elements and motifs were designed in Romano-Gothic distyle.
The Royal Court complex was the town's main structure, fitted into five karst ridges on three basic levels, sloping from north to south. This area of Bobovac, separated from the rest of the town with its inner walls, consisted two main gates, two keeps, two forecourts, and three palaces, the Lower or Grand Palace, the Upper Palace, the Annex Palace (annex to the Upper), with other service buildings and staircases.
The first Court gate leading into the forecourt, the look-out tower or the keep was situated to the south, with other smaller buildings in the forecourt include a blacksmith shops. A roofed stairway led to the second gate and another forecourt for the Lower Palace or Grand Palace, from assessing the partly preserved walls at least four-story, irregular quadrilateral building with dimensions of 25 meters with 10 meters, whose south wall was erected on top of the limestone ridge while the north wall was entirely formed of a stone cliff. The second gate was done in representative decorative style with a Gothic portal bearing the coat of arms of King Tvrtko II and lanterns. The second forecourt included buildings on three terraces, with a granary, battlements, a large water cistern, a smithy, a lime-pit and one small residential building.
The Upper Palace with its forecourt were situated on the uppermost level, next to the keep and the cistern, with annex to the east as another palace added on later on. The forecourt, which included the keep, led to an elongated the Upper Palace, whose dimensions were 18 to 19 meters with 5 to 5.6 meters.
There were wooden stairs and a gallery to the upper story, while in the northern room an interior vault existed. The room was probably used as a Court chapel for King Tvrtko II’s spouse, Dorothy Garai.
The Annex to the Upper Palace was a two-story building, with dimensions of 18 meters with 6 meters, and abutted against the main building of the Upper Palace on one side, and against the Lower (Grand) Palace on the other. The Annex building consisted of precision metal and wood crafts workshops of court's master craftsman.
The crown jewels of Bosnia were held in Bobovac. The royal chapel consisted the burial chamber for several Bosnian kings and queens. Nine skeletons have been found in the five tombs located in the mausoleum. The identified skeletons belong to kings Dabiša, Ostoja, Ostojić, Tvrtko II and Thomas. It is assumed that one of the remaining skeletons belongs to the last king, Tomašević, decapitated in Jajce on the order of Mehmed the Conqueror. Only one of the skeletons, found next to that of King Tvrtko II, is female and assumed to belong to Tvrtko II's wife, Queen Dorothy.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.