The Royal Chapel of Dreux (Chapelle royale de Dreux) is the traditional burial place of members of the House of Orléans. In the 1770s, the Duke of Penthièvre was one of the greatest land owner in France prior to the French Revolution. In 1775, the lands of the county of Dreux had been given to the Penthièvre by his cousin King Louis XVI. In 1783, the Duke sold his domain of Rambouillet to Louis XVI. On November 25 of that year, in a long religious procession, Penthièvre transferred the nine caskets containing the remains of his parents, Louis Alexandre, Count of Toulouse and Marie Victoire de Noailles, his wife, Princess Maria Teresa Felicitas of Modena, and six of their seven children, from the small medieval village church next to the castle in Rambouillet, to the chapel of the Collégiale Saint-Étienne de Dreux.
Penthièvre died in March 1793 and his body was laid to rest in the crypt beside his parents. On November 21 of that same year, in the midst of the French Revolution, a mob desecrated the crypt and threw the ten bodies in a mass grave in the Chanoines cemetery of the Collégiale Saint Étienne. In 1816, the Duke of Penthièvre's daughter, the Duchess of Orléans, had a new chapel built on the site of the mass grave of the Chanoines cemetery, as the final resting place for her family. In 1830, Louis Philippe I, King of the French, son of the Duchess of Orléans, embellished and enlarged the chapel which was renamed the Royal Chapel of Dreux, now the necropolis of the Orléans royal family.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.